New Songs, Autumn, Fires

First snow this morning. Just a dusting, on the first of November. I turned 44 last week. And there are three people I’m holding in prayer right now – something I wouldn’t have believed I’d ever say again only a few years ago.

Also I started doing #songaweek2019 in September, and have skipped one week since then – a radical departure from the all-or-nothing way I previously approached it.

In other words, change. Impermanence. Flow. Autumn. I noticed the light is lower in my kitchen this week. I raked a million leaves yesterday. I have little brown spots creeping into the backs of my hands, new wrinkles on my neck.

The song I wrote this week was partially inspired by the California wildfires, and then I read this article today and felt it could have almost inspired the song if time moved differently. Plus it references one of my all-time favorite reading experiences, The Tale of Genji:

We cherish things, Japan has always known, precisely because they cannot last; it’s their frailty that adds sweetness to their beauty. In the central literary text of the land, The Tale of Genji, the word for “impermanence” is used more than a thousand times, and bright, amorous Prince Genji is said to be “a handsomer man in sorrow than in happiness.” Beauty, the foremost Jungian in Japan has observed, “is completed only if we accept the fact of death.” Autumn poses the question we all have to live with: How to hold on to the things we love even though we know that we and they are dying. How to see the world as it is, yet find light within that truth.

Here’s where I’ve been posting new songs recently – https://soundcloud.com/julia-tindall-bloom/tracks. And here I’ll feature one of them, also about impermanence:

 

No Hard Feelings

This is one of those songs I’d categorize as a cautionary tale, a vision of what the wrong thing looks like. I think it’s about apathy, about what we stand to lose when we choose to stop caring. Maybe a nod to T.S. Eliot’s “The Hollow Men.”

Except, of course, for the moments I quoted in the second verse – Neil Armstrong’s moon walk, Martin Luther King Jr.’s speech envisioning racial harmony, Woody Guthrie’s song about roaming and rambling freely across the land, Carl Sagan’s poetic musing about our fragile home. These are moments of vision, passion, generosity – moments where people cared.

More of that please.

All we ever were
All we can become
Wrapped up in a moment
Setting with the sun

No hard feelings
It’s as easy as walking away
It’s the kind of simple stupid thing
That people do every day
No hard feelings
They just flow with no effort from me
Down the river of what might have been
Out to the salty sea

Small step for a man
I have a dream
This land is your land
Suspended in a sunbeam

No hard feelings
It’s as easy as walking away
It’s the kind of simple stupid thing
That people do every day
No hard feelings
They just flow with no effort from me
Down the river of what might have been
Out to the salty sea

Beautiful Mundane

I confessed to my husband the other day that I don’t usually like it when he walks in the door at the end of the workday and gives me a kiss. It’s just too mundane, I said. Routine drives me mad, I whined.

Which on further consideration is laughable, because neither of us works full-time and so it’s rarely more than two or three days in a week that he’s even walking in the door at the end of the workday.

Confession is good for the soul. I think I needed to actually hear myself saying those words in order to write this song, and this song has been good for my soul.

A couple allusions/credits – I didn’t come up with “the meaning of life is to live.” It’s one of my all-time favorite quotes. I was sure it was from Leo Tolstoy, but my Google search doesn’t seem to confirm that. The closest I could come to a source was Goodreads citing Eleanor Roosevelt: “The purpose of life is to live it, to taste experience to the utmost, to reach out eagerly and without fear for newer and richer experience.” I still think it came from one of those broody Russians I love reading though, Tolstoy or Dostoyevsky.

And “tell a better story” is an idea I absorbed from reading Life of Pi.

“Mundane” has its roots in the Latin word “mundus” meaning “world.” It means ordinary, everyday, “of, pertaining to, or typical of this world.” Maybe it is something worth paying attention to, if it’s your world.

If I believed the world had need
Of another sad song
I’d go on like this, go on like this
Till we’re all bored to tears
But I believe the world don’t need
A thing I have to give
And that the meaning of life
Is to live

It’s all right here
Right where nobody’s looking
The beautiful mundane

Remember when, see it again
Tell a better story
The living truth
That changes everything
It was a long time ago
Until we saw the light
And felt the warmth
And held each other close

It’s all right here
Right where nobody’s looking
The beautiful mundane

I still believe in falling leaves
And transient twilight
And shards of broken dreams
The waves of time smooth and reshape

It’s all right here
Right where nobody’s looking
It’s all right here
And you and me’d best be looking
The beautiful mundane

 

 

Cold Night In (Lovely Lost Cause)

Week 50! This is one of those songs where the suggested theme (from #songaweek2018) actually caused the song to be written. I wouldn’t have gone this direction at all if it weren’t for the suggested word, “metal.”

Not much I want to say about this song – I think we’ve all been here from time to time and know something about it. The cycle of love, the journey of living well. The bridge (“thieves break in and steal . . .”) comes from Matthew 6:19-20, that little passage about storing up treasures in heaven rather than earth. I interpret that not as sacred versus secular; but cosmic, big-hearted wisdom versus short-sighted, me-and-mine foolishness.

My heart’s made of metal
invincible steel
that’s why when you hold me
there’s nothing to feel

It’s a cold night in
It’s a lovely lost cause

I swam in the ocean
I crawled up on land
but there’s no harder journey
than the one to your hand

It’s a cold night in
It’s a lovely lost cause

Thieves break in and steal
Moth and rust corrupt

Come light your best fire
to melt me all down
I’m sick and I’m tired
But I’m coming around

On this cold night in
For this lovely lost cause

Ride That Chariot of Fire

Oh this was another hard week for songwriting. Getting a moment to myself, and getting that moment to align with a moment of inspiration, just didn’t really happen this week. I like the first line, I think the chorus has something I can work more with, but other than that, this was an exercise in getting things done. I wrote and recorded and submitted my 48th consecutive weekly song for #songaweek2018, and I’m content with that.

Where have the years gone honey, did you hide them in your heart?
Come here, let’s just see what we remember starting from the start
Lake breezes, apple blossoms and happy holidays
Summer nights and winter morning blankets holding in the blaze 

Take each chance, children, that calls you to fly higher
Seize each moment, ride that chariot of fire

Blue skies were never promised us but they keep showing up
Life may be full or empty but we’re never left without a cup
Once we tossed those rose-colored glasses we began to see the light
And all that we’d been missing from the deeper beauty of the night

So many miles we’ve gone, so many roads left to explore
So many songs we’ve sung, and waiting in the wings, so many more