Other People’s Work

Read any good books lately (besides your own)?

Frederick Buechner said, “the place God calls you to is the place where your deep gladness and the world’s deep hunger meet.” It is exhilarating to discover this place and then get to work in it, pay or no pay, day job or not, published book or engaging tweet.

But without a healthy sense of self, a grown-up level of security in our personhood, we creative-types* can begin to identify ourselves with our work. We become the work we make. And then, instead of celebrating the good work that other people do in our same field or genre, we start to compare our work (ourselves) with theirs, become annoyed and critical, and sometimes just stop listening to, looking at, or reading other people’s work altogether.

Nobody can tell it, write it, sing it, film it, or whatever your thing is – like you can. But you are one voice among hundreds or thousands, maybe even millions, depending on your particular medium – and each of those voices is also unique. Some of those creators are better at using their voices than others, some are still working to find their own voice at all. You are in there too, somewhere on that continuum.

There will always be people who make better work than you do. “Better” is wildly subjective and depends on all sorts of things like budget, public opinion, connections, aesthetic, age, experience . . .

But as I’ve listened to and learned from creators I consider to be “better,” I’ve seen a common thread. These are people who pay attention to other people’s work. Musicians who rave about other musicians, poets who immerse themselves in other people’s poetry, filmmakers who go into great detail describing how other people’s films have inspired them. And they tend to seek out work they consider better than their own.

That takes a healthy sense of self, a realistic perspective on one’s own work and calling. It’s humbling to remember that other people picked up guitars and made up songs before I could tie my shoes – that I was not the one to discover music. Sounds crazy-obvious and astonishingly arrogant when I say it like that, but these are the sorts of unvoiced exaggerations self-delusion sneaks into our minds if we don’t acquaint those minds with the voices and work of other people (I know, because I’ve been there).

And so, I think that one significant mark of maturity in a creative life is when you can be moved, inspired, and challenged by the work of another (especially a peer, someone living and working in your field, even in your particular circle of influence), without feeling threatened, jealous, hyper-critical, or compelled to copy.

I’m not saying that these feelings shouldn’t surface as we interact with other people’s work. In fact, they almost certainly will and should as we mature, but if we recognize them for what they are and continue to create in spite of them, they will prove to be very helpful teachers and teach themselves right out of a job.

So hit the library and grab a book of poems, subscribe to somebody else’s blog, go out and hear another singer/songwriter at your local coffee shop, go to somebody else’s gallery opening. And feel your mind broaden, and say a little word of thanks for all the brilliant voices in the world.

* In this post I’m writing specifically from my perspective as someone who tries to create on a regular basis, but these ideas could probably apply in other fields of work as well, and I’d be interested to hear your thoughts on that.

This I Believe

A few years ago, National Public Radio aired people reading essays they had written, reviving an older radio series called “This I Believe.” The project continues here

Last month, I challenged myself to write an essay about what I believe. I didn’t exactly follow the “This I Believe” guidelines, but it got me started. Since I have been particularly focused on faith and doubt, I wanted to write an essay exploring where exactly my theological beliefs are at.

Reading through this essay today, a month later, I can already see fault lines, places where shifts are happening. I can tell that when I wrote this, I was deep into Leo Tolstoy’s The Gospel in Brief: The Life of Jesus

I present this not as a statement of belief to be argued with (though you are welcome to respectfully interact with me around these ideas), but more as a challenge to you, to take a moment and hash out your own particular beliefs at this moment in your life. Not necessarily about theology (that just happened to be what was foremost in my mind when I wrote), but about whatever is moving and motivating you right now.

In the process of stating our own beliefs and considering how we arrived at them (and realizing how many times we have each changed our minds over the years), we hopefully become more patient with ourselves and one another in our thought and growth processes – and less afraid of being honest about our thoughts and beliefs at any particular moment of time.

This I Believe

July 25, 2013

I believe I am a product of the words and ideas that were poured into me, that surrounded me in my vulnerable childhood, that I chose to hear and heed as I grew into adulthood. I believe these ideas have taken deep root in me, and while I will always ask questions and seek new information and rethink, I continually live in conversation with these particular ideas. I may swing in wild reactive arcs, or hold fiercely in agreement, or deem an idea unimportant, but agreement or disagreement or indifference – none of it means departure. I can’t scrape off my mental DNA.

I believe I am nature as well as nurture. Something essential yet fluid is alive, growing here, withering there, becoming true – or false – in the onslaught of moments that make up my life.

I believe I am integral to the story of everything, and so is everything else. It isn’t as important as I often think it is for me to ponder my own integrality to the story of everything.

I believe in God, and I believe in Jesus. I believe God is the groundwork of all things, the only reality, the animating force, the source of life. I believe that Jesus was remarkably in touch with God, and called all of humanity to live in the same way. I believe that the notion of deity is irrelevant to the life and work of Jesus, that Jesus lived to be followed, not worshiped. I also believe that the notion of deity is irrelevant to the nature of God – that God is love, not overlord; truth, not dogma; life, not intelligent designer.

I believe in life before death. I believe life grows fuller as an individual reaches beyond self, embracing neighbor and stranger in love, which is God. I believe that life after death is incomprehensible from an individualistic perspective, and pondering this also is not as important as I tend to think it is.

I believe that my beliefs, while never completely uprooted from the ground of my nature and nurture, have changed in the past and will change in the future. But I believe that taking a snapshot of my beliefs in a particular moment is always helpful in clarifying why I do what I do, why I am who I am – right now today. More importantly, I believe that articulating my own current beliefs helps me to grow in love and understanding for others. I see the evolution of my beliefs, the holes and fault lines and stutters in my own thoughts, and I grow in patience and grace for the conflicting beliefs of neighbors and strangers.

This Town

“It will never be this good again” is a lie we should stop telling ourselves. That’s what Todd Henry says in this article, whose content I first heard on his Accidental Creative podcast.

I’ve been facing down that particular lie with extra determination over the past year, as my husband Nathan and I made plans to move out of our Minnesota prairie hometown, across the country to the foothills of Colorado’s Rocky Mountains.

Nathan was born and raised in our hometown. I was born there, moved away at age nine months, moved back at age ten years, moved away at age twenty-two, moved back with my husband and children at age thirty. I joked that this town was like a bad penny that just kept turning up in my life. During the twelve years I spent growing up in this town, like many of my peers I dreamed of leaving it, not always appreciating the goodness and beauty all around me.

I married Nathan and then moved to the big city up the road, got a job, bought a house, birthed a child, conceived another – and then began to dream of moving back to the prairie town, where my parents lived, where I could walk the same park trails I walked as a teenager with my dog, eat at the hometown restaurants I knew so well, relive childhood memories and make new ones with my own children.

And that’s what we did – for seven storybook-perfect years. While I have always enjoyed traveling and even moving (in those years between nine months and ten years old, I moved with my family through four states and about a dozen homes, always excited to pack up and drive to the next place), now that we had two young children and all of their grandparents right in the same town, now that we had a (mortgage-free, rent-free) house and even perfectly scheduled part-time jobs so that neither of us took on the full load of domestic work or a full-time day job – it became difficult to see “it will never be this good again” as a lie. It felt like the inarguable truth.

We had always enjoyed visiting the mountains. Nathan took at least one trip to Colorado every year to do some adventuring. But whenever we had discussed possibly moving there, the call of the mountains was never quite strong enough to overcome the comfort and security of the prairie town.

Until last summer, when our little family was all there together, and for the first time, together, we felt the mountains moving us.

Our prairie town has no glaring deficiencies. Most people will tell you “it’s a great place to raise kids.” It is filled with beautiful parks and a sparkling river, kind people, small-town charm. It is the quintessential Shire, a happy idyllic space of farm fields, fragrant woods, and chatty neighbors. For seven years, our family lived well there, and many families have lived well for generations in this same town.

This song and account of my family’s move is not really about towns and mountains, you know. It’s about knowing when it’s time to step out, time to leave that comfortable thing you’ve always known for that strange and beautiful adventure that is undeniably calling to you. It’s about recognizing when your perfect situation is beginning to choke the life out of you, to smother you with security and lull you to complacency with its comforts.

It’s about embracing the unknown and holding out hope that unprecedented goodness lies ahead, not in the mountains or the prairie town or the shining city to which you are venturing, but in the journey itself.

Speaking of the Shire, I’ll call on J.R.R. Tolkien to close out this post. Here are three fitting quotes from The Fellowship of the Ring.

“The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with eager feet,
Until it joins some larger way
Where many paths and errands meet.
And whither then? I cannot say”

“Not all those who wander are lost.”

“All we have to decide is what to do with the time that is given us.”

“Your One Wild and Precious Life”

What is the story you tell yourself about your life? And how has that been working out for you?

That’s what Steven Pressfield writes about in his recent blog post, “Stories We Tell Ourselves.” In this post, Pressfield quotes his friend Shawn: “‘We all have stories that we tell ourselves about what our lives are—and those stories are always wrong.'” This wrong story, he calls Story A. At some point in our lives, if you and I are to escape embitterment and live free our uniquely beautiful lives, we will recognize Story A for what it is, reject it, and embrace Story B – the real story that has always been there, that we could actually grow into something amazing if we would work with it instead of against it.

“Tell me, what is it you plan to do / with your one wild and precious life?” asks Mary Oliver in her poem, “The Summer Day.”

Here’s an exercise worthy of your time and attention – read Steven Pressfield’s post, and then contemplate – write it out, talk it out, walk it out, otherwise work it out – what is the Story A and Story B in your life? You could think further about how you will reject Story A and embrace Story B, but my guess is, if you’ve accurately identified these two stories, that may be all you need to accelerate the true story of your life.