Open the Door, Pull Up a Chair, Make Friends

At my church our pastor often starts the service by leading us in taking a deep collective breath, literally. Silence, breath, space.

Last week, week 39 of #songaweek2018, my song was inspired by the contrasting sources of episode 656 of This American Life, about immigration policy and practice under the Trump administration; and the policy and practice of my church, whose website declares what it lives out: “Welcome. You already belong here.”

This past summer a group from our church attended our denomination’s nationwide youth event. One memorable idea from the event was that if a new person walks up to your group and you’re not sure if you have room for one more, make room. Say “pull up a chair,” invite them to join you and expand your circle.

I need to believe in the power of open doors and extra chairs. But many times I find myself operating from the same fear and greed that motivates my country’s immigration policy – fear that if I open up, hold out my hand, offer a seat at the table, there might not be enough good stuff left for me.

That’s why the last verse is important – it’s not “we” vs. “they.” Even if I’m not making public policy or being unkind or unwelcoming, I can still find myself prone to hoarding and hiding.

And that’s at least partly why I still tie myself to a faith community, despite my skepticism, despite my personal history with spiritually abusive church environments. I’m still here because I need to remember I’m not the center of my life. And it helps me greatly to gather regularly with a roomful of other people, and breathe, and confess our failings, and affirm love and welcome, and begin again.

Face it, no one needs to go away
Hold it, there’s poison in the words they say
Let it sink in, I am not the living end
Open the door, pull up a chair, make friends

They twist the truth and crush the poor
They study war forevermore

Stop it, this drawing lines and closing minds
Keep it, that ancient faith that love takes time
Every generation new ears will hear again:
Open the door, pull up a chair, make friends

They devastate all that they take
Establish empires on heartbreak

Name it, this tendency to hoard and hide
Own it, my part in shutting out the light
Take a deep breath, feel the lifeblood flow again;
Open the door, pull up a chair, make friends.

Phoenix (Beauty for Ashes)

The first time I heard “women – you can’t live with them and you can’t live without them” was from a boy in junior high. That’s kind of how faith has been in my life. It’s never been something I’ve felt comfortable living with, or without. So I continue to believe, and doubt. Hope springs eternal even as despair dries everything up. My faith goes up in flames, and is reborn.

This song could have been written for Ash Wednesday, which begins the season of Lent in the church calendar – 40 days of fasting before the biggest day of the Christian calendar, Easter. On Ash Wednesday, the pastor or priest says, “remember you are dust, and to dust you shall return,” while making the sign of the cross with ashes on our foreheads. (These ashes are usually made from burning the palms we waved last year on Palm Sunday, the week before Easter, when we celebrate Jesus’s big “triumphal entry” into Jerusalem where he was hailed as king and crowds waved palm branches to celebrate before turning on him a week later and crucifying him.)

I’ve been keeping journals since I was ten years old. And lugging them around the country with me, every time I moved. A couple years ago as I was in the midst of trying to simplify my life and my possessions, I began to resent that heavy box of journals in my basement. And then I came across an idea from Courtney Carver, to burn journals after filling them. Of course it seemed almost blasphemous to me at first – utterly destroy my painstaking record of my precious inner life?

But I couldn’t stop coming back to the idea. I imagined how freeing that could feel. Over the years I’ve gone back and read old journals quite a bit, and to tell the truth, it started to feel like hearing old voices I just didn’t need to keep around. I had lived those years. I didn’t regret them. I don’t regret writing through those years. I’m so glad I did. But I didn’t really need to continue to enshrine my written impressions of my past.

The more I considered it, the readier I became to let those journals go. I boxed them up over the winter and stowed the box in the garage, waiting for an opportunity to start a backyard fire.

This song became the perfect opportunity. I didn’t plan which pages to burn, just tore out a few pages, threw them in the fire, watched the flames overtake the baggage of my past, felt my present moment come into focus, felt my heart lighten.

These songs, too, and my body, and my life itself – are here for a season. Remember you are dust, and to dust you shall return. I can’t make any of this last forever. I have no idea if anyone – even God – can. I remain skeptical about such things. And I dare to hope. But that’s not what moves me moment by moment.

What propels me is this: I do believe – and experience – that right here, right now, every day, everywhere, beauty can follow ashes. Loss, death, endings are real and horrible. And then, beauty. That too. Over and over, and that is life as I know it.

This song (for week 16 of #songaweek2018) was a good exercise in stretching my musician muscles. I wrote most of the lyrics in one sitting and then thought I had a good tune and chord progression but the more I played it, the more same-y same-y it sounded to me. So I tried to mix it up with a more interesting chord progression. Being a music major I should be able to explain what exactly I did here, but those theory classes were years ago! The main thing is that I shifted from an A major chord to a C major chord, so I would sometimes sing a C natural and sometimes a C sharp. It became an engaging challenge working all this out in so many layers of harmonies.

Now I lay me down
With the dogs of despair
Hunting for hope in my dreams
I’ll sleep just like a baby
Wake up in the dark
wailing for a mother I can’t see

Good God it’s not easy
Dear Lord it’s so hard
This living and loving and losing
Sweet Jesus believe me I’ve made it this far
On the fumes of a faith that keeps going up in flames

I’d like to do like you
To fast in the wilderness
Feast on the bread of heaven
Take it as it comes
Breathe my last and be born again
Moment by inevitable moment

Remember you are dust
And to dust you shall return
And I will give you
Beauty for ashes

 

I Could Be Wrong

I used to scoff at my brother-in-law for being a vegetarian. Now I mostly eat vegan.

When Bill Clinton was elected president while I was in high school, I was afraid the world might end. In 2016 I voted for Hillary.

I’ve argued about all sorts of theological and philosophical points over the course of my life, most adamantly against some of the very things I used to believe myself.

I changed my college major three times.

I planned to not have children. Now I have two.

For a while I thought I was done with organized religion. Now I sing in my church choir.

I used to wear my hair like this:

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As Paul Simon sang, “I was wrong, and I could be wrong again.” (“Sure Don’t Feel Like Love,” from his album Surprise which that girl in the photo may not have liked but I happen to love.)

“Family” was the theme for week six of #songaweek2018. I didn’t have much interest in working with that theme, as I feel like already half my songs are family-related and it’s not even anyone’s birthday or anniversary or Mother’s or Father’s Day this week!

I built this song from the first two lines which I’ve been storing in my “scraps and starters” list for years. And now that it’s finished, I think there’s a lot of “family” going on around this song after all.

Last week the Super Bowl came to Minneapolis, and for that reason Westboro Baptist Church chose my hometown of Owatonna, which is on the freeway 70 miles south of Minneapolis, as a Sunday morning stop on their way to agitate at the big game. They demonstrated at a number of churches during Sunday morning services, including the one my in-laws attend.

I don’t agree with Westboro Baptist. I also don’t agree with my in-laws and their church on some things. But our extended family across the country joined them to pray for that morning, and my father-in-law reflected to us afterwards in a text message:

Much has happened in me spiritually through this. Pride comes so subtly. Grace comes so abundantly from God and [God] wants us to have that same grace. God is even changing me.

Do you hear that? That humble and gracious attitude? That’s the stuff that keeps extended families coming back together despite all kinds of differences.

We can always find ways we don’t see eye-to-eye with other people, including our own family and friends – and including our own past and (if we could foresee) future selves!  But if we can keep this attitude of grace, of “I could be wrong,” it’s easier to see heart-to-heart, soul-to-soul, human-to-human. And that’s where and how real change happens anyway.

It’s okay to lay our weapons down. We can still hold strongly to our beliefs and values, and even talk about them with people who disagree. We just don’t really need those weapons of pride, guilt and shame, bitterness, contempt . . . they never work well at getting the point across anyway. They become the point, and everybody loses.

And besides, that thing you think and feel so strongly today, may just end up on your future self’s cutting room floor. But better that than another person.

I used to get injured more often
back when everything had a point
I went around hammering nails into coffins
at least I think I did
at least I thought I did
but I could be wrong

I used to go throwing my lot in
with the causes I fervently felt
These days I feel lots of nothing
at least I think I do
at least I feel that’s true
but I could be wrong

How many miles must I walk in your shoes
until I can feel your soul?
How many words should I leave unsaid
so I can finally hear you?

I’m starting to sense I’ve been spinning forever
orbiting the light
Sometimes I’m stupid, but sometimes I’m clever
at least I think I am
at least I hope I am
but I might be wrong

Winning the war isn’t all it’s cracked up to be
Conquerors can’t afford love
So I’ll stand in my faith and I’ll lay down my weapons
Cause I could be wrong.

 

 

 

 

Out Like a Light

It’s the last day of another year, and here is my last song for #songaweek2016.

In the middle of writing it, I realized I was quoting from the Bible, the gospel of John, when Jesus is talking to his disciples about getting ready to say goodbye, and he leads up to something I hold as central to my faith – that his followers will be known by their love.

Here’s hoping that maybe in 2017, that can become a little more true.

It’s been an amazing year of songwriting, and I look forward to reflecting on it a bit in another post, as well as making a central list of all the songs and highlighting some of my favorites.

Here’s my song for week 52 of #songaweek2016. Oh, and PS – if you or someone you know might enjoy trying this challenge, check out #songaweek2017.

I go out into the night
I go out I go out like a light

In a little while
you will look for me
you will look for me
and I won’t be there

I go out into the night
I go out I go out like a light

In a stranger’s face
in your daughter’s voice
in the love you share
you’ll know me there

I go out into the night
I go out I go out like a light

Still Moving

In spite of everything, I still believe . . .

Here’s my song for week 10 of #songaweek2016.

You’re the wind and

I’m the good girl

trying to keep her skirt in place

You’re the music

I’m the stoic

fighting the urge to dance

you are the light

but I’m trying to hide

You’re the bread and wine but I have to fast

you’re the question I’m afraid to ask

you’re the letting go, I can’t hold you in my grasp

but over, under, and right through everything

your still small voice still calls

You’re the road and I’m the traveler

you lay your body down

you make a way through wilderness

draw me to the next horizon

spread your spirit out

You’re the paper I’m the pen

you give me space to think

let me bleed all over you

and you wear the mess like it means something

You’re the wave and I’m the sand

I’m trying to stand firm

but you keep on changing me