Normal

I’ll be 43 this week. And still, I’m writing songs like this one, processing my childhood and the life that grew from it.

We are all shaped by histories we had little to no control over. Our agency grew as we did. Looking back at my history, some things seem especially strange now that felt completely normal then, as that was the only reality I knew in my short life span.

But of course I’m not unique in this. It’s a human thing.

There are several facets to the idea of “normal” in this song. There’s what I mentioned already – that what feels normal when you’re born into it can look anything but normal in retrospect.

Another facet for me, because of my particular history, is that I’ve struggled with feeling like a normal person much of my life – in two very different ways. First, when I was growing up inside fundamentalism, I learned that we the faithful were the chosen ones. We were “a peculiar people” and that wasn’t supposed to sound funny – because it was in the Bible, King James Version, which was the most highly regarded and the one I grew up with.

(We also believed that everyone outside our construct was destined to eternal damnation, burning forever in a literal hell. Sometimes I wonder if the “chosen people” idea was a way to help us cope with the horror of this belief. If you are constantly reminded that your “unsaved” family, friends, neighbors, grocery cashier, letter carrier, etc., etc., are doomed to that kind of suffering unless you can somehow convince them to join your club – I mean church – it might help to imagine them as somehow a lesser being than you are. Maybe they won’t feel the pain like you would. In this case I wouldn’t exactly call our outlook on “the unsaved” dehumanization because I think we were imagining ourselves as slightly above genuine humanity. We were “reborn,” “converted” – humanity plus. But it probably had a similar effect on our outlook.)

So that was one side of my struggle with feeling normal, the one I lived with while growing up in that environment.

The other side has been in the years since, exiting from fundamentalism, and feeling like an outsider trying to learn a new culture. For a long time I didn’t feel legitimate, because I had missed out on so many of the experiences that were common to my generation’s growing-up years. I don’t have memories associated with the music and movies of my generation, because I wasn’t allowed to listen to that music or go to theaters. I was married before I was even offered my first drink. The wildest oats I sowed was an all-[cis, straight] girls strip-and-run through the woods in my college years. Once. I think we might have howled at the moon for extra tension release.

Deeper than that, I just didn’t learn the everyday street-smarts that many people get growing up in a less sheltered environment. I was naive, shy, fearful. All those years of working hard to keep a long list of rules had ill-prepared me to live in a world where the rules weren’t always so clear, if they existed at all. I went into every situtation wanting to know what was expected of me, what I needed to do to make people like me, and I couldn’t always figure it out.

Only in very recent years have I learned that in most situations, there just isn’t a list of expectations for me to check off. There’s nobody standing by with a clipboard grading me. I don’t have to perform in order to be deemed a real live human being. I just am. And so is everyone else. I’m nothing special, and I’m the only me there ever was or will be. And the same goes for you.

That’s what I mean by normal, at least as I was writing this, my song for week 42 of #songaweek2018: (Wow, only ten weeks left!) The suggested theme was “socks,” so I stuck in some socks for good measure.

I used to live in Indiana
In a trailer park on the edge of town
There was a field where we ran and played
And I liked to pick Queen Anne’s Lace

It was normal, all so normal
Like shoes and socks, baby dolls and blocks
And black and white TV

I used to pledge allegiance to the Bible
And the flags of my faith and country
Every morning at the Christian school
Where they gave us all the answers

It was normal, all so normal
I was good as gold, did what I was told
And I won a lot of trophies

That was a long time ago
I still don’t know what I don’t know

I’ve moved a dozen times since then
Geographically, theologically
I own a single-family detached dwelling
And I took my trophies to the thrift store

This is normal, all so normal
I’m a bona fide, genuine
I have always been and I will always be
like every one of you looking back at me,
An honest-to-God human being.

Open the Door, Pull Up a Chair, Make Friends

At my church our pastor often starts the service by leading us in taking a deep collective breath, literally. Silence, breath, space.

Last week, week 39 of #songaweek2018, my song was inspired by the contrasting sources of episode 656 of This American Life, about immigration policy and practice under the Trump administration; and the policy and practice of my church, whose website declares what it lives out: “Welcome. You already belong here.”

This past summer a group from our church attended our denomination’s nationwide youth event. One memorable idea from the event was that if a new person walks up to your group and you’re not sure if you have room for one more, make room. Say “pull up a chair,” invite them to join you and expand your circle.

I need to believe in the power of open doors and extra chairs. But many times I find myself operating from the same fear and greed that motivates my country’s immigration policy – fear that if I open up, hold out my hand, offer a seat at the table, there might not be enough good stuff left for me.

That’s why the last verse is important – it’s not “we” vs. “they.” Even if I’m not making public policy or being unkind or unwelcoming, I can still find myself prone to hoarding and hiding.

And that’s at least partly why I still tie myself to a faith community, despite my skepticism, despite my personal history with spiritually abusive church environments. I’m still here because I need to remember I’m not the center of my life. And it helps me greatly to gather regularly with a roomful of other people, and breathe, and confess our failings, and affirm love and welcome, and begin again.

Face it, no one needs to go away
Hold it, there’s poison in the words they say
Let it sink in, I am not the living end
Open the door, pull up a chair, make friends

They twist the truth and crush the poor
They study war forevermore

Stop it, this drawing lines and closing minds
Keep it, that ancient faith that love takes time
Every generation new ears will hear again:
Open the door, pull up a chair, make friends

They devastate all that they take
Establish empires on heartbreak

Name it, this tendency to hoard and hide
Own it, my part in shutting out the light
Take a deep breath, feel the lifeblood flow again;
Open the door, pull up a chair, make friends.

Time for Love

Today I’m making pear butter, which is eerily ironic because I’m writing about the song I wrote last week which quotes the 12th Doctor’s farewell speech in which he says, “never ever eat pears!” and which gets even eerier when I add that the pears I’m using came from my friend Barb’s backyard tree; and that Barb and her husband Jon and my husband Nathan and I have been watching Doctor Who together since before the show revamped in 2005 because we were fans before it was cool. Oh yeah. Cosmic irony right here on a Tuesday in my kitchen.

This isn’t the first song I wrote inspired by my favorite time traveler. Here’s one we did for Doctor Who Day in 2010:

Oh and look at that, I’m playing the same guitar!

This also isn’t the first time I’ve mentioned the Doctor on this blog. I’ve done that multiple times, but this one feels especially relevant since the 13th Doctor (whose season starts this year) is a woman!

When I started writing week 38’s song for #songaweek2018, I didn’t have the Doctor in mind. As is often my habit, I started with a first line and just followed it for a while. There’s definitely talk of faith in here, and an ambiguous narrator. As it progressed, those last words of Peter Capaldi’s Doctor came to my mind (my favorite of which originally came from Bertrand Russell) and I wanted to include them in some way.

I don’t feel like this song is finished – it’s probably another I’ll come back to later. For now, here it is:

Oh I have loved you for a million years and more
With every atom of my ever-loving core
You are inside my dreams when I lie down at night
And in the morning you are shining in the light

How sweet the fragrance of your blossoms in the spring
How deep your beauty cuts, tattooing everything
How high your visions fly, expanding hearts and minds
How wide your seeing eye, before me and behind

Now I feel like I feel you now
After all this time
Not like I really know you, no
I hardly know you at all

Where do these days come from, where do the moments go?
Why must we say goodbye when we just said hello?
What keeps us holding on when everything seems lost?
Who can we trust to stick with us at any cost?

Hate is always foolish
Love is always wise
Never be cruel, never be cowardly,
Laugh hard, run fast, and be kind.

So She Sang

I got a piano! And this is the first song I wrote on it. I started with the first line and just tried to follow it through without too much analyzing. As I moved into the third verse (“she got lost to find her way”), I began to think about my grandmother who for the past few years has been living with increasing dementia. The song isn’t specifically about her, but in retrospect I think she’s there throughout. (Here’s a song I wrote for her 80th birthday if you’d like to see and learn a little more about her.)

Here’s my song for week 37 of #songaweek2018:

So she sang to hear the tune
She waited all morning for afternoon
And now the evening is drawing soon
All in the twinkling of an eye

We are birds that none can tame
Wild-haired children lost in our game
Moths drawn to circle eternal flames
All for a moment in the sun

We turn on an axis of wishes and prayers
While we hope against hope for the best
We dance till we can’t keep our feet on the ground
Till we float like a very last breath

She got lost to find her way
Abandoned the order of yesterday
And left her memories as they lay
All in a jumble in her mind

Oh the wind is in the trees
She cradles their seedlings upon her breeze
And where she lays them there they will be
All in the dark before the dawn

It’s Alright Now

In a very real sense we are shipwrecked passengers on a doomed planet. Yet even in a shipwreck, human decencies and human values do not necessarily vanish, and we must make the most of them. We shall go down, but let it be in a manner to which we may look forward as worthy of our dignity.

This little passage from The Human Use of Human Beings: Cybernetics and Society, written in 1950 by mathematician and philosopher Norbert Weiner, caught my attention recently when I read about it in my favorite newsletter Brain Pickings. (https://www.brainpickings.org/2018/06/15/the-human-use-of-human-beings-norbert-wiener/)

The suggested theme for week 36 of #songaweek2018 was “strength.” I wasn’t trying to use it when I started writing my song. I started with a couple lines I had jotted down in a flash of inspiration a couple weeks before: “the first thing I can think of is the last I want to talk about / how whenever you walk in the room it turns me inside out.”

A favorite part of the writing process for me is feeling partially in control, and partially along for the ride as I work on (with?) a song and it takes its shape. I thought this was going to be some sort of love song, but it became more of a hope-in-humanity song.

It wasn’t till I was working on the third verse, at the line “so your heart won’t sink,” and I was thinking through the next line which became “even if we’re bound to drown” that I remembered the Norbert Weiner quote I had copied and pasted into my notes for later meditation. I pulled it up and let it guide me through the end of the song.

And so, I came around to singing about strength after all. The strength of being kind and decent human beings even if and when all seems lost. Our future – individually, as a species, as a planet – is and has always been uncertain, clouded in possible catastrophes. I hope we humans can be wise and motivated enough to do the good we know to do regarding environmental degradation, military oppression, human rights violations, racism, etc., etc. – all the problems clearly leading to a bleaker future.

And at the same time, I hope we can be good and decent people in our everyday interactions with each other and all living things, that we could take each moment as a gift and seek to live it as a blessing, no matter where we seem to be headed, no matter how grim the outlook.

I think a musical influence on this song is Patty Griffin’s “One Big Love,” which I had been listening to as covered by Emmylou Harris on her album Red Dirt Girl not long before I wrote it. And which is one of my all-time favorite albums, in case I haven’t mentioned it before! Oh, wait, I guess I have. Oh yeah, more than once.

As per usual these busy days of late, I would have loved to give this song more recording attention. But at least I was able to give it the writing attention it deserved. Maybe the future will hold enough space for a better recording.

The first thing I can think of
Is the last I want to talk about
How the ghosts of old romances
Can turn me inside out
I can’t recant my faith in
The way we used to be
Young and foolish
Starry-eyed and free

But it’s alright now
It’s okay
We’re alright now
For another day

You’ll never hear me disagree
That there’s no time like today
To do the good you know to do
And give your love away
Cause when you let it flow you’ll find
There’s more where that came from
Like a winding river
Like the shining sun

Down in the hollows of my heart
A thousand love songs ring
We’ll never finish everything we start
But we have our whole lives to sing

So tell me all your troubles
And I’ll pour you a drink
Something stiff and bitter
so your heart won’t sink
and even if we’re bound to drown
we can still be true and kind
One brilliant second
On the face of time