Way of the World

“A Jedi must have the deepest commitment, the most serious mind. This one a long time have I watched. All his life has he looked away…to the future, to the horizon. Never his mind on where he was. Hmm? What he was doing.” — The Empire Strikes Back

Probably restlessness is part of our human DNA, which is why our species has spread out and found ways to live all over the world. My problem is I have a hard time staying in one place for too long. Maybe restlessness is part of my personal DNA too.

And –

It’s been persistently gray and chilly here in Minnesota in March. I asked for this. I chose it, from my little sunny backyard with the mountain view, last year. It was a good choice, but this time of year in this place, it can be a hard one to live with.

This is the time of year when sadness inexplicably seeps into me. Or probably more truly, it seeps out of me – the weight I’ve been carrying surfaces and I must face it.

These were some ideas influencing me as I wrote this song for week twelve of #songaweek2018:

I don’t know why the river makes me cry
I left the west cause I was thirsty
after the years the desert drained me dry
it’s just the way of the world
just the way of the world
it’s the way of the world
in me

I don’t know how these clouds got in my eyes
I shunned the sun cause I was burning
Too much light can leave you hypnotized
It’s just the lay of the land
Just the lay of the land
It’s the lay of the land
I see
It’s just the way of the world
Just the way of the world
It’s the way of the world
and me

It’s just my heart on my sleeve
and my head in my hands
it’s the way of the world
with me
It’s just the way of the world
just the way of the world
It’s the way of the world
For me

Help Wanted (Straining the Limits of Ambiguity)

TLDR: I saw a movie that was hyped to be a mind-bender and came away disappointed. The link to my song for week 11 of #songaweek2018 follows my rant on aesthetics below.

Sometimes you read a book or see a movie or hear a song (or see a painting, a sculpture, a play . . .) that makes you think. But not in the way you think its creator was thinking you’d maybe think you should be thinking.

What I mean is – well, I don’t know what I mean, and that’s the point of this song. Sometimes an artist creates something that they were excited to make, but they can’t properly complete it.

Now by “properly complete” I do not mean tie up every loose end, overly strain a point, or even come to a conclusion about something. All I mean is that to be satisfying, I think a work of art needs to have some level of cohesiveness to it. It may be very subjective – a hundred people could come away with a hundred (or more!) different interpretations of it. But whatever the answers its viewers/readers/etc. come up with, the questions it raises will be identifiable.

Ambiguity is a little like habanero sauce – it can add spice and bring out flavor when used in appropriate amounts. Pile it on like ketchup, though, and it overwhelms. You can’t taste the food anymore. The flavor is gone and all that’s left is spice. In art, too much ambiguity smothers the creation and draws the viewer’s attention only to itself.

But then there’s this sneaky thing artists sometimes do – when a work starts getting away from us and we just can’t wrangle the thing into a cohesive whole, we play the mystic/intellectual card – we make something so dense and ambiguous that confused viewers/listeners/etc. will either assume they are not smart or mystic enough to understand, or pretend they are and give us rave reviews to show their level of aesthetic sensibility.

Understand, I am not saying this is always what’s happening when you or I don’t understand a work of art. I think it’s not even what’s usually happening when we don’t understand. That’s what I love about good art – it pushes the limits and challenges the status quo. We learn and grow and are inspired to explore and discover when we encounter things we don’t understand. And sometimes we are left scratching our heads because something has been truly mind-bending.

But sometimes we’re left scratching our heads because we’ve been given an impressive show, lots of material to contemplate, but not even a semblance of a compass or a flashlight to navigate through it.

Here’s my song for week eleven:

Now this is the part of the story
Where you’ve got to help a storyteller out
I leave this bit to your imagination
Cause I can’t decide what it’s about

we’ve slain the monsters with our big guns
screwed a couple of people in a couple of ways
gotten our thrills and chills and kills

And now here we are at the end of the road
where you’re looking for a semblance of a thought
But I’m sorry to say I got nothing
I don’t know
I got nothing here

And that’s where you come in, you’re intelligent
Cause you chose to hear my story
So I’m confident you can take it from here
Take this story clever listener [reader, viewer, player?]
And run with it
Take this story where you’d like to see it go
Oh no
that’s not what I meant

Like They Do In Cartoons

I decided to go with the suggested theme for my song this week, which was “cartoons.” I think I had just as much fun making the video as I did writing the song this time. I wrote the song first, then scanned public domain cartoon titles for any I thought might contain some of the images included in the song. Loved what I found for the “eyelashes” line! Couldn’t find any bouquets of balloons though – only wanted to spend so much time on the project.

Lest anyone imagine I’ve somehow managed to actually keep the thrill alive for twenty years so that I really do feel my heart leaping into my chest every time my beloved walks into the room – no, that’s not true. Not literally, not even metaphorically like it was when we were first together. *But* it’s totally true cartoonishly – like, if I were to make a caricature of my feelings for my husband – the joy of sharing everyday life after all these years and still having fun together – it might look something like that.

(I could also make, as part of that same cartoon, a scene where smoke blows out of my ears and I breathe fire at him – because sometimes I feel like that too! – but I was going for sweetness and light here, which is just as real and where I prefer to focus most days.)

Here’s my song for week ten of #songaweek2018:

It’s been a long time since our first kiss
But we’re still holding each other
We’re not as cute as when we were kids
But that don’t mean the show’s over
Let’s dance around let’s jump over the moon
You know, like they do in cartoons

My heart leaps out of my chest when you walk in the room
And my eyelashes grow thirteen feet
And they sweep sweep sweep
For you

Most days are not any big to-do
But honey I’m so glad you’re here with me
We take a walk, we play a tune
We contemplate life’s countless mysteries
Let’s float away on bouquets of balloons
You know, like they do in cartoons

So on we go towards our setting sun
Awake, alive and happy together
This love is so good because it’s true
You know, like the heart of cartoons

Still Got It

Being over 40 is strange. One week I get hit on by a store employee, the next I’m given the senior discount without being asked about it (and I live in a back-asswards society that tends to see the second situation as more offensive than the first!). It seems to depend on what I’m wearing, how my hair is done – I’m a chameleon at this age. I can hide my youth, I can hide my age. I’m in the middle, middle-aged.

I started writing this song when I was out for a run at the end of February two days after the second big snowstorm in a week. The sick-of-winter time of year. I haven’t run much the past month or two because there’s been so much ice, so I was feeling out of shape and a bit cranky at first. But the sun was shining, and I got into my groove, and I discovered, I’ve still got it!

It doesn’t matter what you think when you look at me; if I know I got it, I got it. “It” is something we are all born with, and can joyfully exhibit for our whole lives. It can shine through for that brief part of life when we match our youth-crazed culture’s definition of attractive, but it’s way more than that.

I spent the last couple weeks watching the Winter Olympics, all those toned young bodies, and the “old” ones slightly over 30 wistfully discussing the end of their careers. I think, oh you cuties, there’s so much ahead of you, you’ve only just begun!

But that’s only if you want to.

Here’s my song for week nine of #songaweek2018:

I’m just a little bit thick in the head and the middle
Just a little bit sick of playing second string fiddle
But don’t you worry bout me boy
I’ve still got my voice
Don’t feel bad for me my sweet
I’ve still got my feet
And they know how to go

I’ve still got it
Down to the soles of my feet
I’ve still got it
I’m more than what you see

She’s just a little further back on the same road as me
When she gets to where i’m at I think she’ll get what I mean
Aw, don’t you worry bout me dear
I’m still breathing here
Don’t go crying for me honey
I’ve even got a little money

I’ve still got it
Down to the soles of my feet
I’ve still got it
I’m more than what you see

So don’t you worry bout me son
I still know how to run
Don’t you worry bout me dude
I’ve still got it pretty good

I’ve still got it
Down to the soles of my feet
I’ve still got it
I’m so much more than what you see

 

Impotent Citizens With Fancy Guns

I started writing week 8’s song for #songaweek2018 while standing in front of my son’s middle school as school let out and crowds of vibrant young people walked past me, just days after the latest mass shooting, which once again happened at a school. I thought, “let all these children be healed.”

That line morphed into “let all these children believe . . .” and you can hear the rest of it below.

Often (unless I’m writing a fun/goofy song) I try to spread my words in layers, make things subtle, pack the lines with depth so everything isn’t right there on the surface for an easy takeaway from the first listen. But this time I found myself bucking that habit and writing something more straightforward.

Creating art inspired by or expressing a political or controversial idea is a challenge. I want to make music, not propaganda. I want to appeal to common humanity and shared experience/empathy, not set up false dichotomies or overly sentimentalize. I want to make a case for what I see as important, but not be preachy. All of that was in my mind as I wrote this song.

Ultimately, my hope is that we as a culture will listen to our youth, and that they can be confident that we are listening, that we care, that we aren’t brushing aside their descriptions of their lived experience – and that we are willing to reconsider some things, including gun regulations, in light of what they say to us.

In the days even since I wrote this song, I’ve been encouraged by what I’m seeing and hearing in our country – a rising tide of concern from people of varying political stripes, companies breaking ties with the NRA, politicians’ feet held to the fire – and much of it driven by young people who aren’t even old enough to vote yet. Maybe these children are turning my first lyric idea for this song on its head, and by their activism, helping us all to be healed.

Let all these children believe
that when we lose them we grieve
and that we care more than we’ve been letting on

Let all their sad hearts be cheered
that love is stronger than fear
and no amusement’s too dear to be let go

But we’ll lower the flag have a moment of silence
Discuss mental illness and virtual violence
And when all has been dutifully said and done
We’ll get right back on out there and play with our guns

Let these courageous young minds
teach us to change with the times
and not be willfully blind to what they show

Let these new voices be heard
Let’s hear their hearts and their words
and not be hard and unstirred by what they say

If we just lower the flag have a moment of silence
Discuss mental illness and virtual violence
And blithely decide that our work here is done
We’re just impotent citizens with fancy guns

Let all these beautiful ones
be treasured more than our guns