Little Brother

I’ve written songs for both my parents, my husband, both my children, my brother’s wife and all of his children – but until week 51 of #songaweek2018 I still hadn’t written one for my one and only sibling, my brother Jeremy.

I’d been wanting to write a song for him for years, even attempted it a couple times before, but until this week I never had anything worth finishing. Thanks to my parents sending me some old photos, I was even able to put together a video collage.

Life without you well I don’t really remember it
It’s like you’ve always been around
Climbing trees and making faces at me

Little brother I once held you all inside my tiny arms
But now I look up to you

We rode our big wheels in the trailer park
Played GI Joe and Barbie dolls
Super Breakout and Super Mario

Little brother I once crushed you playing football in the yard
But now I look up to you

You got the chicken pox and I was jealous
Until I got it worse than you
And while I suffered, you learned to ride a bike first

We played in puddles and danced to records
And explored the woods out back
I guess we were best of friends

And now we’re grownups with families of our own
We send our kids to cousin camp
and barely remember what life without them was like

Little brother I once bossed you all around in every way
But now I look up to you

 

Cold Night In (Lovely Lost Cause)

Week 50! This is one of those songs where the suggested theme (from #songaweek2018) actually caused the song to be written. I wouldn’t have gone this direction at all if it weren’t for the suggested word, “metal.”

Not much I want to say about this song – I think we’ve all been here from time to time and know something about it. The cycle of love, the journey of living well. The bridge (“thieves break in and steal . . .”) comes from Matthew 6:19-20, that little passage about storing up treasures in heaven rather than earth. I interpret that not as sacred versus secular; but cosmic, big-hearted wisdom versus short-sighted, me-and-mine foolishness.

My heart’s made of metal
invincible steel
that’s why when you hold me
there’s nothing to feel

It’s a cold night in
It’s a lovely lost cause

I swam in the ocean
I crawled up on land
but there’s no harder journey
than the one to your hand

It’s a cold night in
It’s a lovely lost cause

Thieves break in and steal
Moth and rust corrupt

Come light your best fire
to melt me all down
I’m sick and I’m tired
But I’m coming around

On this cold night in
For this lovely lost cause

Decembrance

In the season of shortest days and darkest nights, I like to write songs like this. Winter can be a soul-sucking time of year, or from another perspective, it can be a time to slow down, pull in, lay low, and breathe.

As I was writing this song for week 49 of #songaweek2018, I was aware of the following influences: the feeling of an Irish blessing we sang in choir when I was in college; Handel’s Messiah (I love the way the word “comfortably” is sung in “Comfort Ye My People,” so I did it too); and the Christmas song “Oh Holy Night” which is referenced in “harmonies and holy nights.”

And still, on my mind throughout the year and now more poignantly as the year draws to a close, my Grammy, whose health continues to decline as we await her departure into deepest rest.

Slow dance of the winter, deep sleep of the snow
Clear light of the night sky keep you as you go
Soft blanket of crystal, beasts nestled below
Still evergreen branches, lone call of the crow
All of the fragile ones have flown

Winds wending through treetops comfortably sigh
Rivers rest, insects hide
Memories and melodies murmur in your mind
Harmonies and holy nights hold us all through time
All through the night beyond our sight

Ride That Chariot of Fire

Oh this was another hard week for songwriting. Getting a moment to myself, and getting that moment to align with a moment of inspiration, just didn’t really happen this week. I like the first line, I think the chorus has something I can work more with, but other than that, this was an exercise in getting things done. I wrote and recorded and submitted my 48th consecutive weekly song for #songaweek2018, and I’m content with that.

Where have the years gone honey, did you hide them in your heart?
Come here, let’s just see what we remember starting from the start
Lake breezes, apple blossoms and happy holidays
Summer nights and winter morning blankets holding in the blaze 

Take each chance, children, that calls you to fly higher
Seize each moment, ride that chariot of fire

Blue skies were never promised us but they keep showing up
Life may be full or empty but we’re never left without a cup
Once we tossed those rose-colored glasses we began to see the light
And all that we’d been missing from the deeper beauty of the night

So many miles we’ve gone, so many roads left to explore
So many songs we’ve sung, and waiting in the wings, so many more

November Psalm 2

Almost exactly a year ago, I posted a song called “November Psalm.” Last month on a personal retreat, I reread  God After Darwin: A Theology of Evolution, and was newly moved by it. This month I finished listening to season three of the podcast Serial, which follows the justice system in Cuyahoga County, Ohio, for one year. And currently Nathan and I are watching Ken Burns’ The Vietnam War, which often feels like a nightmare before we go to bed.

These are all, to some extent, influences on the song I wrote for week 47 of #songaweek2018. The suggested theme for the week was “justice.” Life is – and always has been – torn up with suffering and death, so much of it senseless and unjust, so many lives seemingly forgotten, moments of agony buried beyond human memory.

But not, I believe, beyond the memory, presence, love – and redemption – of God, who John F. Haught in God After Darwin calls “the boundlessly redemptive future” (I added the bold font below for emphasis):

The fifteen billion years of cosmic evolution now appear, in the perspective of faith, to have always been seeded with promise. From its very beginning this extravagantly experimental universe has been bursting with potential for surprising future outcomes. And the undeniable fact that life, mind, culture, and religion have emerged out of the barely rippled radiation of the primordial universe gives us every reason to suspect that the cosmos may still be situated no less realistically within the framework of promise than of tragedy. Even prospects of eventual cosmic doom are not enough to defeat the proposal that nature’s present indeterminacies are the repository of promise. The so-called “heat death” that may be awaiting the universe is not inconsistent with the notion that each moment of the entire cosmic process is taken perpetually into, and preserved everlastingly in, the boundlessly redemptive future that faith names as God.

Leaves flash and fade
Trees fall asleep
Ice puts down roots
But not as deep
As my love for you
That cannot be erased
As hope and beauty
And unrelenting grace
Selah

Days come and go
Night wears on
Cold comes to stay
But not as long
As my love for you
That burns eternally
As peace and justice
That set the captive free
Selah

Worlds form and die
Stars breathe their last
Time marches on
But never past
My love for you
That never can forget
My heart holds you
And never will forget
Selah