Thirty-Nine

I couldn’t sleep last night. Nathan and I are getting ready to release a new full-length album, one we’ve been working on for, oh, five years or so, and the title we chose for it is Thirty-Nine. The songs are records and reflections from my personal journey through faith and doubt, and our working title was “FaithedOut” or “Faith-Doubt” or – well, we couldn’t figure out how to spell it to make it work without being spoken, mute on an album cover. Faith and doubt, but also faithed out, as in worn out, churched out.

I’m turning thirty-nine this year, this month actually, and we decided, when the guy we hired to master the album asked us for the title last week, to call it Thirty-Nine, partly because of my age, partly because 1939 was a dark time in history (the Great Depression in the United States, Germany invades Poland and begins the second world war), and mainly because of the not-quite-fortiness of it, the almost-there-but-still-slogging feeling of thirty-nine, no milestone, just faded-ness. 

That was all rolling around in my head last night, and I knew I wouldn’t sleep until I wrote something and put it to rest. Below is what I wrote. Most of my thirty-nine years have not felt like this, of course, but a considerable portion of my recent years have come closer to a “dark night of the soul.” I share this mostly to introduce some of the sentiment behind our new album title. Yeah, it’s really my wordy and hype-aversive way of starting a “launch” for the new album – coming to you (for free through Noisetrade!) on October 26th.

Thirty-nine is an unholy number. Noah waited forty days and forty nights in the ark while it rained and everything outside drowned. Moses spent forty years in the desert, and only then began his long journey leading Israel to the promised land. Jesus fasted forty days in the wilderness before he started his three years of work that changed the world.

On the thirty-ninth day, in the thirty-ninth year, nothing happened. In the wilderness, in the womb-like tomb-like ark, it was only one more of a long string of the same – wandering, hungry, lonely, in the land of unknowing, a heart forsaking and forsaken.

It’s the second-to-last year, or day, of the long dark nothing. I’ve been keeping count, and I know it, but another year, another wasteland of a day, awaits me after this one. Even as hope begins to germinate. Forty is the pattern I know from my thirty-nine-year history reading Bible stories. I know that after forty has passed, something new begins.

So in the dark, on yet another impenetrable night in year thirty-nine, I feel tiny cracks in my heart. Something new pushing inside. An olive branch and a rainbow, a burning bush, food, water and comforting angels might be in store, on the path up ahead.

The dark still whispers fears in my ears, still tries to dress me down, show me wrinkles and withering and death to all things. But I’m nearly thirty-nine now. I’ve nearly made my peace with the dark, count her among my acquaintances now, need not run.

This next year will be bittersweet. And then, who knows? Who knows?

There now, dark. There, I’ve written it, or something like it, or something anyway. Now may I sleep?

I’m Not Interested in That Right Now

I was looking for something to publish on my blog this past week, sifting through years of my own unpublished essays and blog post drafts. But so much of that stuff is just . . . stuffy. It sounds suspiciously like my 16-year-old self’s idea of a wise old college professor. It uses big words and tosses around hefty ideas.

That’s okay. But I’m just not so interested in that right now.

I’m interested in the sugar snap peas growing in my mother’s garden, and the ensuing stir-fry I plan to cook for her tonight, while the kids and I are here visiting for a couple weeks. I’m interested in good beer, and good stories. In easygoing conversation, lively music, and running errands by bicycle. In relaxing with a good book, also in my mother’s garden. In the moments I spent last week with my aging Grammy, when I sang to her and she told us stories of her youth, and I saw tears in my aunt’s eyes, and the fireflies lit up the woods behind the house as we said goodnight, and I felt the strange strength and beauty of that fragile moment supporting all of us who were present there together.

I mean to say, I’m interested in things that don’t accommodate big words and hefty ideas very well. I’m interested in the everyday things that are happening now, while they’re happening. In the people who are living now, while they’re living.

In the actual stuff of life, at the very heart of all the stuffy things I have to say about it.

People Who Live in Glass Houses

“People who live in glass houses shouldn’t throw stones,”

but the pastor’s daughter thought,

“people who live in glass houses shouldn’t,”

because her life felt like a glass house

a fish bowl or a zoo exhibit

and it made her uncomfortable

until she saw the best level of comfort available to her

could be gained by smiling politely at the onlookers,

a docile captive relaxing on the concrete.

 

These days almost everyone I know lives in a glass house.

The glass is made of backlit screens

and you can project anything you want there

a polite smile, a superior sneer,

an angst-ridden mask of mystique

a hip air of disinterestedness

while inside your house you push keys, click mice,

and wrestle with your death wish

for a stone to come crashing through

bringing down the house,

letting in the weather.

 

Taking Everything Slow

“Why do we always lose our childlike faith/ the moment we attain our childhood dream?” A song about aging, moving west, failure that heals and progress that kills. And some other stuff I’m not sure about . . .

 

 

Take this song and shove it if you want to

Take this tune and turn it out of doors

These words are just a caffeinated frenzy

Scribbled on the napkin of your soul

 

I used to be a ballerina poet

Dancing through a rainbow-colored world

Now I dig for water in the desert

Jump for joy each time the thunder rolls

 

Oooh, I’m taking everything slow.

Oooh, how slow, how low can I go?

 

I rode out west to chase the infinite sunset

To swallow ghost towns whole inside my heart

To lose my old religion in the canyons

But morning always catches up with me

 

Oooh, I’m taking everything slow.

Oooh, how slow, how low can I go?

 

Hold that thought close to your unblinking mind

Watch how it withers right there on the vine

 

They’re taking applications for a mystery

They’re ticking off a transcendental(bucket)(l)ist

With wrecking balls and shopping malls to heal us

And freeways to escape our burned-out past

 

Remember when you couldn’t wait to grow up

To live your life exactly as you pleased?

Why do we always lose our childlike faith

The moment we attain our childhood dream?

 

Oooh, I’m taking everything slow.

Oooh, how slow, how low can I go?

 

I Quiet Down.

This Lent I am fasting from Facebook. The very first day of not browsing the news feed noticeably quieted my spirit, ironically widened my world.

I miss everyday photos and adorable moments from the lives of my brother’s children. I miss interesting thoughts and news from my friends and family who live all over the world.

But here are some things I don’t miss (things I didn’t even realize were part of my Facebook experience until I shut it off for a while): the urgency to form and express an opinion about each day’s big controversy. The concern to appropriately “like” or respond to comments people make on my posts, so no one feels ignored or left out. The compulsion to snap a photo or record the daily minutiae of my life.

In short, I feel less like a performer on a virtual stage and more like a living breathing person, free to think my own thoughts, spend my own time, in the peace and quiet of my own physical world. My mind feels more expansive, less bogged down with processing all the bits and bytes streaming through it as I scroll the news feed.

My Facebook fast coincides with my reading of Susan Cain’s book Quiet: The Power of Introverts in a World That Can’t Stop Talking. I had heard a lot about this book, watched her TED Talk, figured I got the gist of it. But when the e-book went on sale for $2.99 while I was at a conference and burned out on interacting with people, I snatched it up.

I’ve known for years that I am an introvert, but this book pushes beyond basic identification, to affirmation, even normalization – of people like me. Not only is there an explanation for my love of solitude, my consistent mode of taking a long time to build friendships and not feeling a need for lots of social interaction – even my tendency to jump at loud noises, my lower threshold for disturbing smells and the way a poem or song or painting can emotionally knock me out – but Cain shows that this is completely normal for a good percentage of the population. It’s not something I need to fix in order to become a legitimate person.

Dear Facebook friends, I’ll be back, but with a more deliberate perspective after this fast. And I am not judging anyone else’s social media use. Simply noticing that for me, a confirmed introvert and highly sensitive person, too much social interaction (even virtual!) and everyday buzz interferes with me being my best self, and doing my best work.

*Note: You may be reading this post through a link you found on Facebook. That’s because my blog automatically displays new posts on my Facebook wall. So, if you comment about this post on Facebook, you’ll understand if I don’t respond, right? 🙂