Prince Charming

[New posts in the works – in the meantime, here’s a poem]

Prince Charming

© 1/7/2010 Julia Tindall Bloom

Prince Charming’s got to go
There’s just no room for him anymore
Not in this mind cramped with memories and questions
Aches and wounds and inconsistencies.

Prince Charming’s got to go
And when he goes
I know that will be the end of him.
He’s too delicate to live.
A lover of my creation,
His lungs have never breathed
The air outside my head.

Sing a song for Charming
He was perfect in my dreams
Swallow Charming whole
He tastes like cotton candy
Dreamy fluff solidifying
To sweet sticky lumps
Like old January ice chunks
That was nice
But I’m still hungry.

Name, Schname

There is a theory that extremely outgoing people tend to forget other people’s names, while more quiet and shy types keep better track of details like names, even of people they have hardly interacted with.

Take, for example, my kids. Six-year-old Luthien, whose first question in the morning is, “Mom, where are we going today? Who are we going to see?” sometimes forgets the names of the neighbor girls who she plays with almost every day. Three-year-old Silas, on the other hand, not problematically shy but not outgoing like his sister, will talk about someone by name who he met once nearly half his lifetime ago.

They proved the theory again recently, when they both attended the first day of Vacation Bible School at a church where they don’t know anyone. At dinnertime I asked them, “what are your teachers’ names?”

“Miss Cara!” Silas said at once.

“How about yours, Lu?”

“Um, I don’t remember.”

I laughed but reassured her that it’s okay. Growing up a shy girl, I knew everybody’s name, and could remember names long past what seemed an acceptable time period. I felt like a stalker, having met someone once, forever destined to know their name even after they would naturally have forgotten mine (if they ever even knew it!). Sometimes I even pretended to have forgotten someone’s name, just to keep from creeping people out.

Maybe getting older is the biggest factor at work now, but as I’ve practiced overcoming my shyness and made more of a point to connect with people, I have more trouble remembering names too! Or maybe it’s a result of moving to Minnesota when I was ten, and I have now reached overload trying to process all the ways to spell and pronounce variations of the name “Kristen” and “Kari”, along with the plethora of Andersons and Andersens and Johnsons and Jensens and Jensons, Petersens and Petersons.

Ah well. You’re all lovely, every one. Now, remind me of your names again?

Guys and Dolls and God After Darwin

Recently I discovered the old news that a songwriter hero of mine had divorced from his wife of 24 years. At concerts, in song lyrics, she had always felt present, even when not physically there or mentioned by name. I had read dozens of interviews with him, and even had a few conversations with the two of them when my nonprofit day job included working with them at a summer music festival. News of their divorce left me feeling duped. I had been hopeful and naïve enough to see them as forever joined.

The aforementioned songwriter hero remarried a woman who also plays music and tours and performs with him. With this bit of observational data, my brain kicked into gear producing a theory about what makes love last, especially for artsy singer/songwriter types like my aspiring self. That brain, desperate to protect my own marriage, noted that just like Songwriter Hero 1, the longish first marriage of another songwriter I admire ended in divorce and sequelled with marriage to a woman who now sings and performs with him.

This led me to posit that love, at least for musicians, works best when the lovers share their life’s work. I thought of Robin and Linda Williams, Buddy and Julie Miller, and young but oh-so-fitted lovers Nataly Dawn and Jack Conte of Pomplamoose.

There it was – my comfort that all would be well for me and my marriage, because my husband Nathan and I make music together, and have been doing so quite happily ever since we met fourteen years ago. I shared the bracing news about my newly-composed theory of happy musician lovers with Nathan, who listened patiently to my list of loving couples and then said simply, “Sonny and Cher.”

Oh yeah, I said, crestfallen, and Sam Phillips and T-Bone Burnett. Oh, and Gene Eugene and Ricki Michele.

There are many more happy musician lovers and many more sadly parted ones who could be added to these lists, but just these were enough to get me off my work towards a grand unified theory of marriage for musicians. As an interesting aside, I learned only recently that Tom Petty was married for 22 years to his high school sweetheart, who he married just before he hit the road and got famous. Who would have believed an international rock star could last so long with one woman? I suppose we could discuss Bono too.

But let’s not. Instead, I’m going to rehash another post of mine. Labels, when it comes to human beings, are mostly unhelpful. No one I have mentioned deserves to be stuffed wholesale into the niche of classification called “musician” or “artist” or even “happily married” or “divorced.” These are descriptors, words we use to talk about what someone does or what has happened in their life or how we perceive things to be going for them at the moment. I don’t want to flatten people under labels.

I also emphatically do not want to flatten anyone, including myself, under the past. The book Nathan and I are currently reading together, God After Darwin by John Haught, is throwing its light all over my thoughts these days, including these thoughts about love and splits. Haught speaks of a metaphysics of the future. The future, he says, is always arriving, always presenting itself. This, he says, is the fundamental spirit of religion – that rather than calling anyone back to a “perfect past” (the mythic but poetically instructive Garden of Eden) God instead is drawing humanity towards a wide-open future.

Long after the adrenaline rush of first love faded in my marriage, the future keeps arriving, every moment. True, someone called Julia has been married to someone called Nathan for twelve years now, but confidentially, new people keep showing up in the house, and they don’t spend much time pining for the old ones.

A God of Mythic Proportions

What if God really is a construct of the human mind, collective human consciousness, generations of human culture? Does that mean we’re not still on to something? Our stories about transcendence, our yearnings for immortality, for perfect love and world peace – are they really only wishful thinking, or could they be baby talk in a real language we hear but cannot comprehend or speak yet?

I suspect we the human race have never gotten it right in our attempts to fully describe it – and it’s possible we’ve not hit on anything remotely close yet to the reality of that being/force/substance/unimagineable I Am/none of these things.

Are we truly naive and destructive for reaching, seeking, asking, theorizing? Of course not, not for those things. But for insisting, grasping, lying (willfully), closing eyes to the observable truth, claiming superiority, excluding, and faking – therein lies religious humans’ ignorance and destructiveness.

I can’t think like I used to – or pray like I used to – can’t sing or talk or go to church or get into a Bible study – not like I used to – but I can’t let it go either. Is it embedded in my psyche because it’s what my ancestors did? Partly, I’m sure. I can never know what it would be like to encounter my faith tradition with the wisdom and discretion of an adult. I can’t completely separate personal nostalgia from the stories of my faith, can’t divorce the little-girl wonder and comforting taste of church potlucks, soft embracing arms of Sunday School teachers, smell of glue and construction paper, sound of rich organ strains, from the doctrine of the Trinity, the gospel of Jesus.

I also can’t completely filter out the shaming looks and words, the hateful tones used of people different from us, the arrogant proof-texting and the general dullness and deadness – the constricting sameness, the denial of humanity in its richness, brokenness and wildness – that hummed around me like the radio station always tuned in and played low.

No, all of that is there, mingled with the body and blood of Christ, between the lines of the King James Version Bible memory verses filed away in my brain.

But it breathes like a living thing in me. It does not lie there mutely like a sterile model under museum glass, oblivious to my scrutiny.

I respect my fellow humans who see no sign of God. Their ideas have given me courage to explore my own – to go down deeper, unafraid (well, less afraid) of people’s opinions of my excavations. I have been changed, and am being changed – I am plunged more into myself, more into humanity, more into life and truth and this shattered, shining world.

The God of my past looks increasingly like a puppet, stitched together from Bible stories, religious aspirations, moral intuition; and animated by power-hungry men. But somewhere in there, I feel so sure, is a beating heart.

Lately I’m letting go of the fairy tale god who came prefabricated for me, all outlined in the Christian school curriculum, and pursuing the living God who cannot be contained in anyone’s mind, or so the stories go. Maybe this God is only a myth in the not-real sense of myth, or maybe this God is deeper and weightier than anything I’ve experienced, which is why this God for now resides in myth.

I journey on, a pilgrim in search of God – and I think it will be a lifelong quest, which only underscores the worthiness of the One I seek.

Who’s Repressed?

Epiphany passed me by recently, dressed like a Somali woman. It occurred to me that with her cultural requirement to wear a head covering in public, she is free from stressing about hairstyles. And with her long and shapeless body covering, she is immune from fashion police and probably never wonders if she missed a spot when shaving her legs. For the first time I saw comfort and freedom in her clothing rather than only repression.

Growing up fundamentalist, my textile signs of repression included long skirts, culottes, and nylon stockings. To prove I was free from this bondage, I spent many of my early adult years wearing blue jeans or shorts just about everywhere. I avoided nylon stockings and knee-length skirts, sure that would be the same as wearing a sandwich sign entreating, “Blow me a kiss, I’m a fundamentalist.”

Then came the hippie feminist years, when makeup and shaving were the symbols of my captivity to The Man. To declare my independence, I dumped the mascara and left alone the leg hair, though I was still chained to the need for smooth armpits.

Somewhere along the way life normalized and my statements and declarations morphed into nothing more than habits, some of which I continued and some of which I changed, without attaching much of a larger meaning to them.

photo courtesy djcodrin, freedigitalphotos.net

It goes without saying, in my estimation, that women just about everywhere and throughout all time are repressed. My Somali neighbor must dress as she does to be accepted in her community. In mainstream western culture, where women have been liberated from stringent dress codes, they have been subjected to ever more ruthless standards of slender bodies, large breasts, firm smooth ageless skin, perfect hair, etc.

I’m not done thinking about it, speaking out against it, trying to pass on to my daughter – and my son – some sense of healthy female body image and gender equality. But I marvel regularly at the resilience of the human spirit that is alive and well in women everywhere, who play by the patriarchal rules, or don’t, but still manage to do what needs to be done, day in and day out, and add their own strength and spark to this shattered, shining world.