Thirty Nine – A Listener’s Guide

It was my 39th birthday yesterday. And I’m giving you a gift. A free record called Thirty Nine, a sort of faith and doubt memoir told through music.

Thirtynine

I imagine these songs to be a sort of conversation, possibly going on in my head, possibly with God (and I think these two ideas are not mutually exclusive).

Here are some virtual liner notes, a little listener’s guide if you like:

“Bridges for Burning” – Some things, we lived through once, and that was plenty, and we can let go of them now. Others are worth holding like treasure, deep in the heart.

“From Your Love” – The euphoria and unshakeable confidence of a young fresh believer. Mostly quoting Paul, from his epistle to the Romans, chapter eight.

“So Good” – More euphoria, gratefulness, love.

“So Easy” – I begin to question myself. Really? Naive little girl, have you given any of this much thought?

“Ask” – Little girl begins to grow up, starts to voice questions that have grown bigger over the years she’s been squelching them.

“Epiphany” – God, never threatened by questions, always seeing to the heart of the matter, sings a not-exactly-soothing lullaby.

“Come Out and Play” – I wonder about this faith, hope and love I’ve staked my life on until now. And even if there is a lover of my soul, am I interested?

“Come Unto Me” – And still, God asks, invites, apparently also unthreatened by the possibility of public rejection and humiliation.

“Demystification” – Enough with the mystery and romance. I demand of God, explain yourself. Just show up.

“89 Degrees” – My world is burned, my heart is drowned. I’m about to turn the corner. Are you still there?

“Dreaming for You” – God sings – I have a dream, and it’s for you. (And I liked the way you started that last song so I’m doing a variation on it.)

“Farewell Fairytale” – I get the last word. Also the first, of the rest of my life. I burn some bridges, and walk on, in the wild wandering Way.

 

 

Thirty-Nine

I couldn’t sleep last night. Nathan and I are getting ready to release a new full-length album, one we’ve been working on for, oh, five years or so, and the title we chose for it is Thirty-Nine. The songs are records and reflections from my personal journey through faith and doubt, and our working title was “FaithedOut” or “Faith-Doubt” or – well, we couldn’t figure out how to spell it to make it work without being spoken, mute on an album cover. Faith and doubt, but also faithed out, as in worn out, churched out.

I’m turning thirty-nine this year, this month actually, and we decided, when the guy we hired to master the album asked us for the title last week, to call it Thirty-Nine, partly because of my age, partly because 1939 was a dark time in history (the Great Depression in the United States, Germany invades Poland and begins the second world war), and mainly because of the not-quite-fortiness of it, the almost-there-but-still-slogging feeling of thirty-nine, no milestone, just faded-ness. 

That was all rolling around in my head last night, and I knew I wouldn’t sleep until I wrote something and put it to rest. Below is what I wrote. Most of my thirty-nine years have not felt like this, of course, but a considerable portion of my recent years have come closer to a “dark night of the soul.” I share this mostly to introduce some of the sentiment behind our new album title. Yeah, it’s really my wordy and hype-aversive way of starting a “launch” for the new album – coming to you (for free through Noisetrade!) on October 26th.

Thirty-nine is an unholy number. Noah waited forty days and forty nights in the ark while it rained and everything outside drowned. Moses spent forty years in the desert, and only then began his long journey leading Israel to the promised land. Jesus fasted forty days in the wilderness before he started his three years of work that changed the world.

On the thirty-ninth day, in the thirty-ninth year, nothing happened. In the wilderness, in the womb-like tomb-like ark, it was only one more of a long string of the same – wandering, hungry, lonely, in the land of unknowing, a heart forsaking and forsaken.

It’s the second-to-last year, or day, of the long dark nothing. I’ve been keeping count, and I know it, but another year, another wasteland of a day, awaits me after this one. Even as hope begins to germinate. Forty is the pattern I know from my thirty-nine-year history reading Bible stories. I know that after forty has passed, something new begins.

So in the dark, on yet another impenetrable night in year thirty-nine, I feel tiny cracks in my heart. Something new pushing inside. An olive branch and a rainbow, a burning bush, food, water and comforting angels might be in store, on the path up ahead.

The dark still whispers fears in my ears, still tries to dress me down, show me wrinkles and withering and death to all things. But I’m nearly thirty-nine now. I’ve nearly made my peace with the dark, count her among my acquaintances now, need not run.

This next year will be bittersweet. And then, who knows? Who knows?

There now, dark. There, I’ve written it, or something like it, or something anyway. Now may I sleep?

I’m Not Interested in That Right Now

I was looking for something to publish on my blog this past week, sifting through years of my own unpublished essays and blog post drafts. But so much of that stuff is just . . . stuffy. It sounds suspiciously like my 16-year-old self’s idea of a wise old college professor. It uses big words and tosses around hefty ideas.

That’s okay. But I’m just not so interested in that right now.

I’m interested in the sugar snap peas growing in my mother’s garden, and the ensuing stir-fry I plan to cook for her tonight, while the kids and I are here visiting for a couple weeks. I’m interested in good beer, and good stories. In easygoing conversation, lively music, and running errands by bicycle. In relaxing with a good book, also in my mother’s garden. In the moments I spent last week with my aging Grammy, when I sang to her and she told us stories of her youth, and I saw tears in my aunt’s eyes, and the fireflies lit up the woods behind the house as we said goodnight, and I felt the strange strength and beauty of that fragile moment supporting all of us who were present there together.

I mean to say, I’m interested in things that don’t accommodate big words and hefty ideas very well. I’m interested in the everyday things that are happening now, while they’re happening. In the people who are living now, while they’re living.

In the actual stuff of life, at the very heart of all the stuffy things I have to say about it.

People Who Live in Glass Houses

“People who live in glass houses shouldn’t throw stones,”

but the pastor’s daughter thought,

“people who live in glass houses shouldn’t,”

because her life felt like a glass house

a fish bowl or a zoo exhibit

and it made her uncomfortable

until she saw the best level of comfort available to her

could be gained by smiling politely at the onlookers,

a docile captive relaxing on the concrete.

 

These days almost everyone I know lives in a glass house.

The glass is made of backlit screens

and you can project anything you want there

a polite smile, a superior sneer,

an angst-ridden mask of mystique

a hip air of disinterestedness

while inside your house you push keys, click mice,

and wrestle with your death wish

for a stone to come crashing through

bringing down the house,

letting in the weather.

 

Taking Everything Slow

“Why do we always lose our childlike faith/ the moment we attain our childhood dream?” A song about aging, moving west, failure that heals and progress that kills. And some other stuff I’m not sure about . . .

 

 

Take this song and shove it if you want to

Take this tune and turn it out of doors

These words are just a caffeinated frenzy

Scribbled on the napkin of your soul

 

I used to be a ballerina poet

Dancing through a rainbow-colored world

Now I dig for water in the desert

Jump for joy each time the thunder rolls

 

Oooh, I’m taking everything slow.

Oooh, how slow, how low can I go?

 

I rode out west to chase the infinite sunset

To swallow ghost towns whole inside my heart

To lose my old religion in the canyons

But morning always catches up with me

 

Oooh, I’m taking everything slow.

Oooh, how slow, how low can I go?

 

Hold that thought close to your unblinking mind

Watch how it withers right there on the vine

 

They’re taking applications for a mystery

They’re ticking off a transcendental(bucket)(l)ist

With wrecking balls and shopping malls to heal us

And freeways to escape our burned-out past

 

Remember when you couldn’t wait to grow up

To live your life exactly as you pleased?

Why do we always lose our childlike faith

The moment we attain our childhood dream?

 

Oooh, I’m taking everything slow.

Oooh, how slow, how low can I go?