Apple of My Eye

In early June in Minnesota this year, it seemed we lived in a world of rain, a land of gray. I think we spent two continuous weeks under granite skies, and my nine-year-old daughter began to feel it in her light-hungry soul. The perpetual gloom, combined with the haunting bedtime thoughts about death and loss that are common to her age, brought an above-average precipitation of tears welling up from a previously-unplumbed depth of grief and questions in her being. We were packing to move across the country that month, far from the familiar hugs of grandparents, a thousand miles from the back doors of the neighbor girls she loved like sisters.

This girl was not my idea. I was not inclined towards having children, because although I have always adored babies, children (those little people who want birthday parties and sleepovers and repeat, “watch this!” over and over and interrupt intelligent conversations to repeat their favorite lines from inane movies and litter the world with cheap plastic toys and fingernail polish) are not my strong suit.

I was a child once. And this does give me a window on my own daughter’s childhood. But just as her birth was not my idea, neither is her self. As I wrote here, she is a whirlwind of imagination and action. My child self was a model of compliance. Trying to understand her most mystifying elements through the lens of my childhood too easily leads to comparison and value judgments.

But when I remember that Luthien was never my idea, and that her continuing unfolding is not my idea, I relax a little more into the One whose bright and colorful idea she is. I support, encourage, seek to inspire, educate, discipline, celebrate and love this inexplicable human, but she is not my grand idea to be worked out precisely the way I think best.

She is the apple of my eye and the stars in my night sky, but apples don’t feed eyes and stars at night don’t keep their beholder warm. My baby, my child, my girl came from me, changed and changes me, has marked me forever – and yet, she has her own road to travel, distinct from but ever intertwined with mine.

Here’s a song I wrote in those gray weeks in June.

Lyrics:

You are the apple of my eye

But eyes cannot eat apples

You are the stars in my night sky

But stars are too far away to keep me warm

You are my darling baby girl

And babies need their mothers

I am your faithful failing world

I rock you in my arms and cry along

A long long night

Oh will it ever end?

A hard hard fight

I wish we both could win

You are a flash of color bright

Inside a kaleidoscope

You ask me sometimes late at night

Is anybody there looking through?

You are a mirror in the woods

Reflecting all around you

You show the trees they’re looking good

But secretly you’re lonely for a face

A face of love

A face with patient eyes

A face you’ll know

From your feeling of surprise

You’re growing into summer now

You’re thirsty like a flower

With all my heart I’ll show you how

To spread your petals out and drink the rain

The rain that soaks

And chills you to the roots

But don’t lose hope

The sun will come out too.

More Thoughts on Stories A and B

Thinking more about the contents of my last post  and the thoughtful comments that were made on it, I remembered this poem I had written a few years ago, a little meditation on my tussles with Stories A and B in my own life:

In the springtime of your life

When people make pronouncements

About the heights to which you’ll rise

Someone has a prophecy

Someone says you’re chosen

Don’t tuck it away for later

No, hold that sign up high

Wave that banner with all you’ve got

And go, girl, go

Because a well-preserved ticket

Is useless after the show

And no one cares to hear

About your might-have-beens.

(On the other hand,

An awakening 34-year-old

Is a powerhouse of presence.)

As I mentioned in conversation with Jodi’s comment on the previous post, I think that when I recognize my Story B, it won’t feel like I am “settling” for second-best, although it may look exactly like that to an outside observer.

In my case, I started chasing Story A as a twenty-something singer/songwriter recording my first album in a professional studio in a skyscraper in downtown Minneapolis, financed by two benefactors who saw big things in my future.

Looking back on that over ten years later when I wrote this poem, I mused about how I didn’t work hard enough to actualize Story A. But you can see the seeds of Story B beginning to sprout in the last sentence.

And far from feeling like I’m settling, I feel more deeply alive.

I’ve still not fully elaborated my Story B to my satisfaction, but I feel like I am getting closer. Letting go of other people’s storylines for me, and picking up the threads that are actually there, the real living story of me that can actually be woven into something true and substantial. It may not be big and flashy, but it will be utterly valuable.

So there you go, a little case study for you, my own working out this life-story thing. To paraphrase Stephen Colbert, “I am a Story B (and so can you!)”

“Your One Wild and Precious Life”

What is the story you tell yourself about your life? And how has that been working out for you?

That’s what Steven Pressfield writes about in his recent blog post, “Stories We Tell Ourselves.” In this post, Pressfield quotes his friend Shawn: “‘We all have stories that we tell ourselves about what our lives are—and those stories are always wrong.'” This wrong story, he calls Story A. At some point in our lives, if you and I are to escape embitterment and live free our uniquely beautiful lives, we will recognize Story A for what it is, reject it, and embrace Story B – the real story that has always been there, that we could actually grow into something amazing if we would work with it instead of against it.

“Tell me, what is it you plan to do / with your one wild and precious life?” asks Mary Oliver in her poem, “The Summer Day.”

Here’s an exercise worthy of your time and attention – read Steven Pressfield’s post, and then contemplate – write it out, talk it out, walk it out, otherwise work it out – what is the Story A and Story B in your life? You could think further about how you will reject Story A and embrace Story B, but my guess is, if you’ve accurately identified these two stories, that may be all you need to accelerate the true story of your life.

Maybe Not

Here is a new song, and the first one we’ve recorded as a video and posted on Youtube.

Lyrics –

Maybe Not
copyright 2010 Julia Bloom

My life is a movie edited for TV, seething under docile mediocrity, and if you paint pictures better take a good look, if you like stories this would make a good book. Or not, maybe not.

I grew up in the back seat of the family Ford. My daddy was a preacher traveling for the Lord. My momma smiled sweetly and dressed us up well. We labored in the vineyards keeping sinners out of hell. Or not, maybe not.

I’ve gazed at stars until they burned my eyes, drunk living water till my throat was dry.

I had a hundred crushes but I never caught one, I had a couple boyfriends and we had a little fun, I had a couple babies with the man who calls me wife. We’ve been together twenty years, we’re bonded now for life. Or not, maybe not.

Sometimes under my feet I think I feel the world spin round. Is each day going faster now or am I slowing down? Once when I was concentrating, unafraid to see, speeding past myself I saw a lively younger me. Or not, maybe not.

I’ve kissed the hand that held me in my place, I’ve wiped each wisp of wonder from my face.

Every time I think of getting something off my chest, my barricaded broken heart cries, “citizen’s arrest!” I never can remember why I left the womb. I maybe lost my keys, I’ll maybe find them in the tomb. Or not, maybe not.

I used to paint pictures when I was a little girl. I used to write stories that could echo round the world. The colors are all faded now, the pencil marks erased – those scribbles of my childhood were nothing but a waste. Or not, maybe not.

I’ve lain awake just waiting for a dream. I’ve held my tongue until I want to scream. I’ve kissed the hand that held me in my place. I’ve wiped each wisp of wonder from my face. I’ve gazed at stars until they burned my eyes, drunk living water till my throat was dry.

Or not. Maybe not. Or not, maybe not.

The Good, the Bad, and the Younglings

Danny DeVito made a movie in 1996 called Matilda, based on a book of the same name by Roald Dahl. A copy of this movie wound up in the bargain bin at a local video store, where my mother was browsing for something to entertain her grandkids so we adults could spend an evening in conversation which included complete sentences. My six-year-old daughter Luthien told me later about the movie and how much she liked it. Her favorite parts, which she described repeatedly, sounded lame to my adult sensibilities.

Typical kids’ story, I thought. Poor little child misunderstood by her parents (at least not orphaned like so much of children’s literature). People are either mean or nice, and she has some sort of magical powers to help her through her ordeals.

A week later when we took the kids to my parents’ house for a movie night, and Luthien asked to see Matilda again, I groaned and asked if we could please see something everyone would enjoy, not just the kids. But, poor misunderstood-by-my-parents me*, I was outvoted. On with the show.

Maybe it helped to have my enthusiastic fresh-faced daughter at my side, and her excessively giggly little brother primed to let loose at all the silly parts. I’m sure Danny DeVito and Rhea Perlman playing the outlandish parents helped too. Whatever it was, it turned out to be a fun movie to watch together with my kids. I gave my grown-up critic the night off and joined with my kids in relieved laughter when the victorious school children chased away their mean principal once and for all, hurling the contents of their lunch bags like a G-rated mob.

Later, when the grown-up critic came back from her night out and the kids were asleep, Nathan and I had a conversation (which included complete sentences).

“That movie bothered me,” Nathan began. “All those flat characters – the perfectly mean principal, the perfectly good teacher, named Miss Honey even?! Where’s the redemptive value in a story like that?”

Both of us having only in adulthood discovered subtlety (I love Jodi’s post about this), Nathan and I appreciate stories that humanize people. We remind ourselves and our children almost daily that there are no “bad” people and no “good” people – that every person is a complex being marbled with good and evil.

Classic children’s literature, however, does not often concur. Many of these stories tell about good people (who are usually underdogs and often children) winning by destroying bad people. We see it often in today’s movies for kids too. Up, which was a fun story idea and colorful and interesting to watch, disappointed us for the same reason. The bad guy, apparently, had to go.

Not all children’s stories conform to this standard, but in those that take the conflict of good versus evil as their theme, good and evil are often personified and therefore become polarized characters. Therefore the good character must destroy the bad character for good to triumph over evil. In a more complex story, the good character may do bad things (like Edmund in the Narnia chronicles), but ultimately that character will exhibit his/her inherent goodness through repentance. If there is character development, it will most likely be the good characters who get developed, and not the bad.

At least, that is the explanation I came up with when Nathan and I had this conversation and I tried to understand why children’s stories are not often redemptive.

No expert on childhood psychology (of which, as the parent of small children, I am more painfully aware than ever), I’m pretty sure I’ve heard somewhere that children are concrete thinkers; and I think this means that subtlety just isn’t something they get. So, maybe these stories help to cement into their concrete thinking the persistent human belief that no matter the odds, good will overcome evil in the end.

And maybe subtlety is something to be gained through maturity, interacting with the world, listening and observing others. Maybe the understanding that every person – and every situation – is complex and has something beautiful as well as something ugly or dangerous or evil in it can only come through experience, cannot be transferred through external teaching.

Taking this viewpoint, I think that Avatar should be classified as a children’s story (a highly interesting, predictably violent and visually stunning one) while Star Wars is for mature viewers.

Then again, even in Star Wars, the bad guy known as the Emperor never gets redemption. And maybe Darth Vader would just be classified as a good guy doing excessively bad things for an excessive amount of time until he repents and gets to be immortalized as good.

I dunno. It just feels deeply right and true to me when, as the Doctor triumphantly said in one of my favorite Doctor Who episodes, “Just this once, everybody lives!”

*Uh, Mom . . . Dad . . . my tongue is firmly in my cheek here. (Can’t afford to lose my biggest fans!)