Reverie

I’d like to take a snapshot of my four-year-old son right now, but I’ve decided against it. I don’t want to interrupt his reverie.

He is playing the piano. Not banging on it, but playing it. A note here, a note there, a little pattern, which he will repeat if he likes it. Even some simultaneous notes now and then to make a pleasant-sounding chord. His older sister’s piano book is on the music stand, and he is paging through it, looking at it as he thoughtfully presses keys.

The parent voice told me to get over there and show him a thing or two – “look, Silas, this is middle C! Can you play middle C?”

Then the artist voice in me said, “easy, sister, let him explore. Let him lose himself in the moment, let him float on the music he is making!”

Then the parent voice said, “oh yes, good thought. But I should at least get this on video.”

And the artist and the mother together decided, “Nope. No video. The camera would distract him. Let him be. Go type this out on your blog and let him be.”

And so he is alone in his reverie, which is probably the best way for him to start his friendship with the piano. I suppose that “reverie” shares a root with “reverence,” and that is how this moment feels.

Maybe Not

Here is a new song, and the first one we’ve recorded as a video and posted on Youtube.

Lyrics –

Maybe Not
copyright 2010 Julia Bloom

My life is a movie edited for TV, seething under docile mediocrity, and if you paint pictures better take a good look, if you like stories this would make a good book. Or not, maybe not.

I grew up in the back seat of the family Ford. My daddy was a preacher traveling for the Lord. My momma smiled sweetly and dressed us up well. We labored in the vineyards keeping sinners out of hell. Or not, maybe not.

I’ve gazed at stars until they burned my eyes, drunk living water till my throat was dry.

I had a hundred crushes but I never caught one, I had a couple boyfriends and we had a little fun, I had a couple babies with the man who calls me wife. We’ve been together twenty years, we’re bonded now for life. Or not, maybe not.

Sometimes under my feet I think I feel the world spin round. Is each day going faster now or am I slowing down? Once when I was concentrating, unafraid to see, speeding past myself I saw a lively younger me. Or not, maybe not.

I’ve kissed the hand that held me in my place, I’ve wiped each wisp of wonder from my face.

Every time I think of getting something off my chest, my barricaded broken heart cries, “citizen’s arrest!” I never can remember why I left the womb. I maybe lost my keys, I’ll maybe find them in the tomb. Or not, maybe not.

I used to paint pictures when I was a little girl. I used to write stories that could echo round the world. The colors are all faded now, the pencil marks erased – those scribbles of my childhood were nothing but a waste. Or not, maybe not.

I’ve lain awake just waiting for a dream. I’ve held my tongue until I want to scream. I’ve kissed the hand that held me in my place. I’ve wiped each wisp of wonder from my face. I’ve gazed at stars until they burned my eyes, drunk living water till my throat was dry.

Or not. Maybe not. Or not, maybe not.

Guys and Dolls and God After Darwin

Recently I discovered the old news that a songwriter hero of mine had divorced from his wife of 24 years. At concerts, in song lyrics, she had always felt present, even when not physically there or mentioned by name. I had read dozens of interviews with him, and even had a few conversations with the two of them when my nonprofit day job included working with them at a summer music festival. News of their divorce left me feeling duped. I had been hopeful and naïve enough to see them as forever joined.

The aforementioned songwriter hero remarried a woman who also plays music and tours and performs with him. With this bit of observational data, my brain kicked into gear producing a theory about what makes love last, especially for artsy singer/songwriter types like my aspiring self. That brain, desperate to protect my own marriage, noted that just like Songwriter Hero 1, the longish first marriage of another songwriter I admire ended in divorce and sequelled with marriage to a woman who now sings and performs with him.

This led me to posit that love, at least for musicians, works best when the lovers share their life’s work. I thought of Robin and Linda Williams, Buddy and Julie Miller, and young but oh-so-fitted lovers Nataly Dawn and Jack Conte of Pomplamoose.

There it was – my comfort that all would be well for me and my marriage, because my husband Nathan and I make music together, and have been doing so quite happily ever since we met fourteen years ago. I shared the bracing news about my newly-composed theory of happy musician lovers with Nathan, who listened patiently to my list of loving couples and then said simply, “Sonny and Cher.”

Oh yeah, I said, crestfallen, and Sam Phillips and T-Bone Burnett. Oh, and Gene Eugene and Ricki Michele.

There are many more happy musician lovers and many more sadly parted ones who could be added to these lists, but just these were enough to get me off my work towards a grand unified theory of marriage for musicians. As an interesting aside, I learned only recently that Tom Petty was married for 22 years to his high school sweetheart, who he married just before he hit the road and got famous. Who would have believed an international rock star could last so long with one woman? I suppose we could discuss Bono too.

But let’s not. Instead, I’m going to rehash another post of mine. Labels, when it comes to human beings, are mostly unhelpful. No one I have mentioned deserves to be stuffed wholesale into the niche of classification called “musician” or “artist” or even “happily married” or “divorced.” These are descriptors, words we use to talk about what someone does or what has happened in their life or how we perceive things to be going for them at the moment. I don’t want to flatten people under labels.

I also emphatically do not want to flatten anyone, including myself, under the past. The book Nathan and I are currently reading together, God After Darwin by John Haught, is throwing its light all over my thoughts these days, including these thoughts about love and splits. Haught speaks of a metaphysics of the future. The future, he says, is always arriving, always presenting itself. This, he says, is the fundamental spirit of religion – that rather than calling anyone back to a “perfect past” (the mythic but poetically instructive Garden of Eden) God instead is drawing humanity towards a wide-open future.

Long after the adrenaline rush of first love faded in my marriage, the future keeps arriving, every moment. True, someone called Julia has been married to someone called Nathan for twelve years now, but confidentially, new people keep showing up in the house, and they don’t spend much time pining for the old ones.

John Prine on American Routes

How did I get to be this old, playing music, listening to music, and never hear of John Prine? I don’t want you to make the same mistake, so if his name is unfamiliar to you, and you like eclectic folksy-alternative-country-rootsy-blues sort of music, I suggest you listen to last week’s American Routes interview with John Prine. (You may need to look it up in their archives if this post is no longer current.) Even if you don’t particularly like that genre but you just like good songwriting, I think this is well worth the listen.

You may have heard Bonnie Raitt sing his song “Angel From Montgomery”, with one of my favorite lines  – “How the hell can a person go to work in the morning and come home in the evening and have nothing to say?” That was the only familiar song to me, but I heard plenty worth hearing again, including “Hello in There” and “Some Humans Ain’t Human.”

American Routes, by the way, is great fun whoever they play. Here in my town, it airs Saturday nights on public radio, after Prairie Home Companion. Yeah, guess who has small children and doesn’t usually get out on Saturday nights? But that’s okay. I’m homeschooling myself in classic American music while washing the dishes. I’m writing a song about that too, but that’s another story.

Reaching Maturity, or, If I Were a Tomato

On Monday evening my proud papa showed my youngsters video clips he had taken of me and my band almost ten years ago. There we are, up on the big stage, under the bright lights, playing our twenty-something hearts out. “We were young and we were improvin’. . .”

the glory days for rock band St. Andrew's Descent

the glory days for rock band St. Andrew’s Descent

Mellencamp was on to something, although I haven’t always thought so over the years. Wrinkles, gray hairs, extra pounds and stretch marks don’t seem like an improvement. But they are simply markers of the real life I’ve been living. The wrinkles around my eyes record the smiles and laughs that have crinkled the skin there again and again. The creases between my eyebrows show the grip of stress, grief, and anger. The gray hairs grow from a head that has pumped out thoughts and dreams at the pace of a Chinese toy factory. The poochy tummy and the stretch marks tell about the two people I co-created, nourished, carried and bore into the world.

These days I don’t look back as wistfully as I used to. I can almost laugh at – I mean with – no, I mean at – the profoundly serious girl up there on the stage, who scans every audience for a talent scout and will soon cry herself to sleep the night she learns of her first pregnancy, certain this means death to her creative life.

Small children, it turns out, are small for only two or three blinks of an eye. This is a great relief and an eternal sadness.

yes, they dress themselves!

yes, they dress themselves!

They are also loaded with material – not only the fecal variety, but the sort of material every writer seeks – magical moments, ironic situations, hilarious word usage, and heart-stabbing lovelinesses and tragedies of all sorts.

On Tuesday morning I took my guitar down from the wall and began to play and sing. My two-year-old Silas hurried from the other room, smiling and dancing like sun-sparkles on a forest stream. It was a stellar performance. I totally connected with the audience. I’m pretty sure I’ll get another call soon (“Mommy! Play my song again!”).

Lately I’ve discovered that the songs and performances I do create, when I take the time, are better than those of ten years ago, and they often take less effort. I think this is about reaching maturity.

This past spring I bundled up and went out to the garage, where I poked tiny tomato seeds into small pots of soil arranged on an old cookie sheet. I brought the cookie sheet into the house and set it on top of the refrigerator so the seeds could stay warm and germinate.  It took about a week before I saw more than soil in those pots. It took even longer for the tiny seedlings to grow into recognizable tomato plants that could stay outside overnight alone.

Once I finally got the plants outside, the tender leaves soaked up sunlight and used that energy to make more leaves, which all soaked up more sunlight and made more leaves, so that the plants grew exponentially. A couple weeks ago, green tomatoes began blushing into red, and I knew that the plants were doing what the seed packet had said they would do in the prescribed number of days – reaching maturity. Now every day I spot another brilliant red tomato, standing out vividly from the surrounding green leaves.

If I were a tomato plant, I think I would currently be putting out yellow blossoms. These blossoms are more interesting than the green leaves I have spent much of my life to produce, but it gets even better! If I keep growing, one day I will make brilliant red fruit with the power to nourish and cheer whoever finds it. I don’t miss those spindly seedling days. And I’m not seeking to preserve these yellow flowers. I’m going for the juicy red fruit. I’m reaching for maturity. I’m still young and still improving.