Home to Roost

It’s Maundy Thursday in the Christian church calendar. We remember that last supper Jesus had with his closest friends, a few stolen moments in a borrowed upper room, emotions running high, all hell about to break loose.

I wrote this song in January for week 4 of #songaweek2020, but I wanted to share it here today. Whether or not, however or not you are marking this day; whatever faith or lack of it you call yours – I hope you know – and feel – that you are loved. And may you be filled with peace.

Be well my friends.

Here is my heart, look but don’t touch
unless you assume all the risk
If you break it, it’s yours, like it or not
Can you afford one last kiss?

every sparrow that falls comes home to roost

Come get warm by the fire, stretch out your hands,
Eat, drink and say what you will
If you love me at all you know who I am
Heartbroken, heart breaking still

every sparrow that falls comes home to roost

Break now the bread, pour out the wine
Share it with all who have need
Don’t we all have a need, a need to be loved?
a hunger and thirsting for peace?

Here in the dark you call my name
Whether I hear it or not
Cause I know what I feel,
I feel that I’m loved
Before and behind and beyond

every sparrow that falls
every sparrow that falls
every sparrow that falls
comes home to roost

New Songs, Autumn, Fires

First snow this morning. Just a dusting, on the first of November. I turned 44 last week. And there are three people I’m holding in prayer right now – something I wouldn’t have believed I’d ever say again only a few years ago.

Also I started doing #songaweek2019 in September, and have skipped one week since then – a radical departure from the all-or-nothing way I previously approached it.

In other words, change. Impermanence. Flow. Autumn. I noticed the light is lower in my kitchen this week. I raked a million leaves yesterday. I have little brown spots creeping into the backs of my hands, new wrinkles on my neck.

The song I wrote this week was partially inspired by the California wildfires, and then I read this article today and felt it could have almost inspired the song if time moved differently. Plus it references one of my all-time favorite reading experiences, The Tale of Genji:

We cherish things, Japan has always known, precisely because they cannot last; it’s their frailty that adds sweetness to their beauty. In the central literary text of the land, The Tale of Genji, the word for “impermanence” is used more than a thousand times, and bright, amorous Prince Genji is said to be “a handsomer man in sorrow than in happiness.” Beauty, the foremost Jungian in Japan has observed, “is completed only if we accept the fact of death.” Autumn poses the question we all have to live with: How to hold on to the things we love even though we know that we and they are dying. How to see the world as it is, yet find light within that truth.

Here’s where I’ve been posting new songs recently – https://soundcloud.com/julia-tindall-bloom/tracks. And here I’ll feature one of them, also about impermanence:

 

No Hard Feelings

This is one of those songs I’d categorize as a cautionary tale, a vision of what the wrong thing looks like. I think it’s about apathy, about what we stand to lose when we choose to stop caring. Maybe a nod to T.S. Eliot’s “The Hollow Men.”

Except, of course, for the moments I quoted in the second verse – Neil Armstrong’s moon walk, Martin Luther King Jr.’s speech envisioning racial harmony, Woody Guthrie’s song about roaming and rambling freely across the land, Carl Sagan’s poetic musing about our fragile home. These are moments of vision, passion, generosity – moments where people cared.

More of that please.

All we ever were
All we can become
Wrapped up in a moment
Setting with the sun

No hard feelings
It’s as easy as walking away
It’s the kind of simple stupid thing
That people do every day
No hard feelings
They just flow with no effort from me
Down the river of what might have been
Out to the salty sea

Small step for a man
I have a dream
This land is your land
Suspended in a sunbeam

No hard feelings
It’s as easy as walking away
It’s the kind of simple stupid thing
That people do every day
No hard feelings
They just flow with no effort from me
Down the river of what might have been
Out to the salty sea

Beautiful Mundane

I confessed to my husband the other day that I don’t usually like it when he walks in the door at the end of the workday and gives me a kiss. It’s just too mundane, I said. Routine drives me mad, I whined.

Which on further consideration is laughable, because neither of us works full-time and so it’s rarely more than two or three days in a week that he’s even walking in the door at the end of the workday.

Confession is good for the soul. I think I needed to actually hear myself saying those words in order to write this song, and this song has been good for my soul.

A couple allusions/credits – I didn’t come up with “the meaning of life is to live.” It’s one of my all-time favorite quotes. I was sure it was from Leo Tolstoy, but my Google search doesn’t seem to confirm that. The closest I could come to a source was Goodreads citing Eleanor Roosevelt: “The purpose of life is to live it, to taste experience to the utmost, to reach out eagerly and without fear for newer and richer experience.” I still think it came from one of those broody Russians I love reading though, Tolstoy or Dostoyevsky.

And “tell a better story” is an idea I absorbed from reading Life of Pi.

“Mundane” has its roots in the Latin word “mundus” meaning “world.” It means ordinary, everyday, “of, pertaining to, or typical of this world.” Maybe it is something worth paying attention to, if it’s your world.

If I believed the world had need
Of another sad song
I’d go on like this, go on like this
Till we’re all bored to tears
But I believe the world don’t need
A thing I have to give
And that the meaning of life
Is to live

It’s all right here
Right where nobody’s looking
The beautiful mundane

Remember when, see it again
Tell a better story
The living truth
That changes everything
It was a long time ago
Until we saw the light
And felt the warmth
And held each other close

It’s all right here
Right where nobody’s looking
The beautiful mundane

I still believe in falling leaves
And transient twilight
And shards of broken dreams
The waves of time smooth and reshape

It’s all right here
Right where nobody’s looking
It’s all right here
And you and me’d best be looking
The beautiful mundane

 

 

Decembrance

In the season of shortest days and darkest nights, I like to write songs like this. Winter can be a soul-sucking time of year, or from another perspective, it can be a time to slow down, pull in, lay low, and breathe.

As I was writing this song for week 49 of #songaweek2018, I was aware of the following influences: the feeling of an Irish blessing we sang in choir when I was in college; Handel’s Messiah (I love the way the word “comfortably” is sung in “Comfort Ye My People,” so I did it too); and the Christmas song “Oh Holy Night” which is referenced in “harmonies and holy nights.”

And still, on my mind throughout the year and now more poignantly as the year draws to a close, my Grammy, whose health continues to decline as we await her departure into deepest rest.

Slow dance of the winter, deep sleep of the snow
Clear light of the night sky keep you as you go
Soft blanket of crystal, beasts nestled below
Still evergreen branches, lone call of the crow
All of the fragile ones have flown

Winds wending through treetops comfortably sigh
Rivers rest, insects hide
Memories and melodies murmur in your mind
Harmonies and holy nights hold us all through time
All through the night beyond our sight