Rejection Letter Submission

Dear Editor,

Please find enclosed my submission of a rejection letter to replace the one you always send to me.

Your letter uses the word “unfortunately.”

(“Unfortunately, your poem has not been chosen. . .”)

Or something along that line

As if the gods were not with me

Or I didn’t choose the winning lottery number.

 

I submit the following:

Dear [Name],

Thank you for sending us your firstborn child.

Everyone here at the office is touched and amazed by her beauty –

The soft rounded rosebud lips

The sky-blue eyes

The tiny grasping fists.

Surely not another like her will ever come along again.

So you can imagine how honored we are

At your astonishing generosity

In sharing her with us.

But it’s simply too much – we can’t accept such a lavish gift.

With something so exquisite in our midst,

We would never get any work done!

Please accept our deep gratitude,

Our sincere apologies,

And our best wishes for your future with this unspeakable wonder

And all the dazzling beauties you have yet to produce.

Sincerely, etc.

 

Thank you for considering this submission.

I look forward to reading it on your stationery soon.

Sincerely, and so on.

Nursing Home Moment

His mother sleeps deeply, dying in a nursing-home bed. Her sunken eyes are shut in her flower-fragile face, framed with soft gray curls, adorned by a pink satin pillowcase. The baby doll she’s lately fostered lies tucked in beside her, under a blanket trimmed with lace crochet.

His sister sits beside his mother, leading her own sparkly grandchildren in a Sunday School hymn-sing, and his nephew’s wife kneels on the floor changing her daughter’s diaper.

He stands in the doorway, arms folded over chest, casually roasting the President in small talk with his brother-in-law.

Behind him in the hallway, young Sudanese immigrants wheel the shriveled children of Scandinavian immigrants to and from their rooms, their meals, the bath, the toilet.

Outside the building, breezes blow, sun warms soil, trees shiver their leaves, and cars loaded with people he will never know speed by on the busy freeway.

On the other side of the earth, it is dark. People and animals are sleeping in houses, huts, nests, and holes under the moon and the stars. Mothers are nursing babies, and elder daughters are changing the soiled clothes of grandfathers.

Out past the atmosphere planets are turning like lonely wolves, dark matter hangs like a disremembered dream, suns are dying and others being born.

So he talks, and stands, for a hard long while.

We wear our grief like fingerprints, and our tears – however, whenever, if ever they fall, are shaped like snowflakes.

Heart’s Desire

And if you catch your heart’s desire,

What then?

It isn’t the chase that tires

And confounds you,

That saps your strength

Hour by relentless hour.

It is the captive embrace

In which you guard your prize

While you wonder, what next?

With your desire breathing in your arms

Begging for a drink from your well.

Abraham

The following poem is reprinted with permission from the author.

Abraham
by Jason Mills

This is what you’ll do, your will decreed,
And I took him up the mountain, raised the blade,
Trusting that the slaughter met some need
Beyond the grasp of creatures you had made,
Proof of faith, if proof were not profane,
That chooses in submission to be blind,
Compelled to make these offerings of pain,
Refusing to believe them undesigned.

Yet not for you, to whom all things are known,
Who stayed my hand in sorrow more than joy;
I it was who needed to be shown
My eagerness to sacrifice the boy.
The falling axe made all mankind anew.
You wept, and whispered, This is what you’ll do.


You can find more of Jason’s work at http://www.lulu.com/spotlight/jasonatvitalspotdotf9dotcodotuk. He tells me he hasn’t “squeezed out enough poetry to be worth binding,” but hopefully for the world’s sake that will change! (I came across his work through Goodreads’ poetry group.)

Po-E-Mail

It was waiting for me in my inbox.

 

“Unfortunately, I cannot obtain electronic copies of the Ocean, Warehouse or EPLI policy.

Here is the Package and Umbrella,

and a copy of the most recent schedule.

 

JAYNA Westbrook,”

 

The punctuation, capitalization, and line breaks

Are reproduced exactly as I found them

The italicized words

Were hyperlinks,

Paths I dared not follow,

Gateways to destruction.

 

I know these words are faux corporate-speak

But the random images

Distinguished with capitals

Deserve a moment before my eyes.

(Apparently my spam-assassin concurred.)

 

There truly was a comma after the surname

Leaving me hanging