Yours Truly, Eeyore

Something I read once says that each of us can find ourselves in one (or maybe more) of the characters in the Winnie the Pooh stories. For instance, Eeyore with a dash of Rabbit and a smidgen of Owl feels like a decent description of myself. (In other words, sadsack with a penchant for agendas and a bit of a know-it-all.) But those three characters are loved in the Hundred-Acre-Wood, and the stories wouldn’t be the same without them. It takes a village, and all that . . .

I was sifting through some past morning pages (I try – key word is TRY – to write a little bit every morning), and found the following few paragraphs. I think this is what was in my mind when I wrote the poem I published in the last post:

I’d like to write bright shiny things, because I want to have bright shiny things to show to other people. Bright shiny songs to pull out of my back pocket. Bright shiny blog posts to bring smiles and good vibes. Bright shiny everything so I stop looking sad and depressed.

But in truth, I am sad and depressed. Not clinically, not chronically, just characteristically on a consistent basis. When I am smiling or laughing, it’s real. But when I’m not, that’s real too. I’m sorry, but I’m one of “those people” – whose mind says, “what for?” when her heart says, “let’s dance!” Who loves a good starry night, a brilliant sunset, but feels the chill of dark matter and endless space out there beyond the atmosphere. Who sees the transcendent qualities in her fellow humans and herself, even as she sees great apes dressed up in finery, bodies destined for decay.

What I’m learning is to let the mind be what it will, but not to let it rule me. My heart, which knows in different ways, also has bad days, but they don’t always coincide with my mind’s bad days.

And my body, in which heart and mind experience life, has the best record for good days. It’s my eyes, my skin, my ears and nose and tongue that find delight without needing explanations, without needing a context of future and meaning to enjoy the life coursing through my body every moment.

Which Pooh character (or characters) are you? And do you notice harmony and disharmony in your own experience of body, mind and heart? 

All Shall Be Well

My latest video has been a joyfully collaborative effort.

The words are taken from the book Revelations of Divine Love, by Julian of Norwich, 14th-century English mystic.

The images are the attentive and skillful work of Kristen Kopp. I left southern Minnesota for the outspoken beauty of Colorado, but Kristen’s photographic impressions of my prairie home do gorgeous justice to the whispering wonder of that place. Treat your eyes and your soul to more of her work here: http://instagram.com/kristenannakopp

While I wrote the music and made a simple recording with acoustic guitar and vocals, my best-beloved, Nathan Bloom, sculpted the audio tracks into a fascinating aural landscape.

Deepest thanks to Julian, Kristen and Nathan for sharing your own unique vista on the world with me in producing this video!

Baby of Bethlehem

I wrote this song in 2008, but it never felt finished until I rewrote the last verse yesterday. Peace to you and yours, to neighbors and strangers, allies and enemies, to all of us everywhere.

Lyrics:

Belfast and Belgrade, Beirut and Beijing

Baghdad and Bosnia filled with broken things

Tanks plow the streets

Bombs sown like strange seeds

Give them the baby of Bethlehem

 

El Salvador, Saigon, Sudan and Syria

Sierra Leone and Somalia are weary of

Fat cats and their dogfights

Nightmares in broad daylight

Give them the baby of Bethlehem

 

No crying he makes, no death or disease

What child is this who’s broken to be our peace?

 

Littleton, Newtown, Facebook and Hollywood

Pine Ridge and Ferguson and Bedford-Stuyvesant

We’re scared and suspicious,

Anonymously vicious

Give us the baby of Bethlehem

“Quiet. . . Julia Likes Black People.”

One afternoon, more than half my life ago, a high school classmate and I were riding in her family car. Her mother was driving, and now I don’t remember what she said – maybe the radio was on with news about the L.A. riots after the Rodney King story, and she said something about “those people.” But what I do remember, vividly, is my classmate saying to her mom in a half-joking, let’s-humor-this-silly-girl tone, “Quiet, Mom. Julia likes black people.”

Yes, in my terrarium of a Christian school in a lily-white southern Minnesota town, I stood out because I would sometimes speak favorably of black people, or occasionally ask someone not to continue telling a racist joke. But I didn’t really know anyone who wasn’t white. And so, not personally knowing anyone of color, I began to idealize non-white people, to paint their plight with a romantically tragic brush.

In my college years, I got to know a few African-American people, and “black people” went from being a homogenous symbol in my mind to the faces and personalities of everyday people I knew in everyday ways.

When Nathan and I decided to buy our first house, we chose a Craftsman charmer in North Minneapolis, which only a few years before was the central reason why Minneapolis was dubbed “Murderapolis.” We did this because beautiful houses were cheap in this neighborhood, and the sellers of the house introduced us to their neighbors, who actually knew each other and greeted us with a warm welcome.

And, personally, I did it because we, as white people, would be in the minority in this neighborhood, and I wanted to know, to understand; and frankly, because at least subconsciously, I thought this would somehow give me points with whoever was keeping score. In the year before buying our house, Nathan and I had become part of a Bible study that partnered a group from our suburban, mostly-white church with a group from an inner-city, mostly-black church. We studied and discussed racism, and attended services at each others’ churches. I was deep in the throes of white guilt, ashamed to be a part of the problem. At this moment of buying our piece of the American dream, I wanted to duck out of the system that was slowly smothering me; and I felt pretty heroic for doing it.

We lived nearly seven years in that beautiful house, welcomed our daughter into the world, shared it with friends and family and people who needed a place to stay for a while. We joined a church walking distance from our house, a remarkable place that was pretty evenly biracial, where people of all skin tones loved me just as I was – a shy, idealistic, recovering good-girl with a God complex. I was patiently and generously embraced right along with all the other sinners.

Thanks to the unconditional love of my church family, I began to humanize every single person around me – no longer idealizing or demonizing anyone – including myself.

In our years in Minneapolis, I witnessed a shooting through my front window and listened in shock as the police officer who came to question me flippantly broke the news that the victim had died.

I laughed with a young man whose low-riding pants fell down as he strutted the sidewalk in front of our house.

I smiled at a child who smiled back and waved at me, while his mother grabbed his hand, glared at me and spit on the sidewalk.

I rode the city bus or strolled to the grocery store with my baby girl who smiled and babbled at everyone she met, and people generally fussed over and adored her.

I watched through my front window one afternoon as a teenage girl ran behind the house opposite mine, pursued by two boys who jumped out of a car that pulled up; and reached for the phone to dial 911, until I saw her emerge from behind the other side of the house, soaking wet and laughing, the boys brandishing their Super Soakers and laughing too.

I paid down-and-out men who came to the door with a rake or a shovel, and they did good yard work for me.

I joined neighbors at Christmas and went to other people’s doors, where we sang carols.

In short, I lived, and the people around me (mostly) lived, and I didn’t do much to save the world, but I did gain a little understanding.

But only a little. And that’s why I’m writing all this – to emphasize that I can never understand, and if you are white in America, neither can you.

That’s bad news if you think that in order to love someone, you must understand them. But I have never agreed with that idea. Yes, seek understanding – that’s always a good idea. But there are some things you will never completely understand or be able to empathize with in the lives of other people, and racism, for white people in America, is one of those things.

Fill the gap that is left between your understanding of another person and the actual person with love, compassion, open ears and an open heart. I mean, it can’t hurt.

So when black people all over our nation are crying out under the weight of all these latest stories of police brutality, please, white America, zip it. Just close your lips and listen.

We the privileged ones are accustomed to having the last word, getting our point across, being heard. This stuff doesn’t come easily to many of us.

But can’t we just try it?
To borrow from my classmate, “Quiet.”

(Yes, I really did just end this serious post with a silly little rhyming couplet.)

PS – Last week I changed the price of an old song I wrote concerning racism to free, and I changed the licensing to Creative Commons, so that it can be shared, remixed, used to make videos, whatever. It’s called “Only the Fools” and you can find it here.

Thirty Nine – A Listener’s Guide

It was my 39th birthday yesterday. And I’m giving you a gift. A free record called Thirty Nine, a sort of faith and doubt memoir told through music.

Thirtynine

I imagine these songs to be a sort of conversation, possibly going on in my head, possibly with God (and I think these two ideas are not mutually exclusive).

Here are some virtual liner notes, a little listener’s guide if you like:

“Bridges for Burning” – Some things, we lived through once, and that was plenty, and we can let go of them now. Others are worth holding like treasure, deep in the heart.

“From Your Love” – The euphoria and unshakeable confidence of a young fresh believer. Mostly quoting Paul, from his epistle to the Romans, chapter eight.

“So Good” – More euphoria, gratefulness, love.

“So Easy” – I begin to question myself. Really? Naive little girl, have you given any of this much thought?

“Ask” – Little girl begins to grow up, starts to voice questions that have grown bigger over the years she’s been squelching them.

“Epiphany” – God, never threatened by questions, always seeing to the heart of the matter, sings a not-exactly-soothing lullaby.

“Come Out and Play” – I wonder about this faith, hope and love I’ve staked my life on until now. And even if there is a lover of my soul, am I interested?

“Come Unto Me” – And still, God asks, invites, apparently also unthreatened by the possibility of public rejection and humiliation.

“Demystification” – Enough with the mystery and romance. I demand of God, explain yourself. Just show up.

“89 Degrees” – My world is burned, my heart is drowned. I’m about to turn the corner. Are you still there?

“Dreaming for You” – God sings – I have a dream, and it’s for you. (And I liked the way you started that last song so I’m doing a variation on it.)

“Farewell Fairytale” – I get the last word. Also the first, of the rest of my life. I burn some bridges, and walk on, in the wild wandering Way.